They're asking to remove from the definition of “sound recording” the exception for film soundtracks where they accompany a film. The sound recording is different from a song in the sense that a sound recording is exactly what I've suggested to you. The sound of an explosion or anything that you might find on the audio track of a film is a sound recording. What the definition of sound recording does, for section 19, where it operates the way I'm describing, is that it provides a stream of royalties where a sound recording that is not on a film soundtrack accompanying the film.... It's only where it accompanies the film that this exception operates. If the film soundtrack is played on the radio, for example, neighbouring rights exist and royalties flow.
What they want to do is remove that exception, which is to say, any time a film would be played in a theatre, it would trigger royalties for everything from a sound effect to a song. That is what we object to.