That is what it is right now.
It's also the same, for example, for a dancer who choreographs a routine. For that person, the approach in the law to date has been that you can charge the rental rate up front, but you're not permitted to exercise the remuneration in the act when it's incorporated into a film. It's a recognition of the fact that a film is a unitary work. That's what we object to. What we object to is the exhibitors' paying the royalty rate for every single song, sound effect, or dance performance, should it extend to that, that is incorporated into a film. That's what we object to.