Thank you, Mr. Chair.
I'll actually pick up with Mr. Yazbeck on exactly that, this artist resale right. It's not a new idea. Earlier in your presentation you did talk about the exemption being arbitrary. You just mentioned that picking a date in the 1980s was simply drawing a line in the sand, and that there are some intergenerational issues.
My thinking is that you're asking to put through an artist resale. First of all, it's almost impossible to authenticate a piece of art made 100 years ago. I guess we would apply the 70 years past the life of someone to say that they would receive some remuneration on it. You'd still have issues with authentication, with determining who actually created a piece of art, and with who the money should go to if they don't have an estate or any living children. Wouldn't we have the same intergenerational issues that you have right now with this other issue? It seems to me that this is the only way the government could say, with respect to a resale, that from this point on we will then make sure that 5%—or whatever the number ends up being—will go to the artist, their estate or their family.
How are we going to avoid the same issue?