To my knowledge, no jurisdiction is currently offering royalties on these movements, these emotes that are happening in video games. The point I was trying to make is that the definition of choreographic work needs to be a little more flexible and not so much focused on narrative ballet in the Copyright Act, so that five or 10 or 50 years from now, there is the potential to have this conversation when Drake creates a phenomenal dance sensation and suddenly copyrights it and then we go down this slippery slope.
We're not there yet.