I think one of your concerns, Mr. London, is tracking and finding owners, so let me throw this out to all of you in some way, shape or form.
We do have a registration system in Canada, which isn't that onerous, through CIPO. Would that help in terms of identifying the work?
On the other side, Ms. Britski, would you be willing, as an artist, to say that the work has to be registered in order to take care of that right, because you're outside of the Berne Convention? We could do that, conceivably.
Mr. Vettivelu, does that present problems for first nations and indigenous artists?
Mr. Guérin and Mr. Kitenge Banza, could this also help you in terms of the legislation regarding the works created before 1988?