Thank you.
Mr. Chan, it's nice to see you again. I know we had you at PROC this spring because we were discussing Facebook's impact on elections, and now you're here discussing Facebook's impact on the creative economy writ large. I guess Facebook has quite a bit of impact in general.
I want to talk a lot about Content ID and Facebook's equivalent. In September, a pianist named James Rhodes uploaded to Facebook a video of himself playing Bach. Facebook's copyright filters triggered the content, and it was removed. He had a great deal of difficulty getting it restored. Even at life plus 70 years, the Bach he had played would have been out of copyright by about 198 years. I'm wondering what we can do to avoid abuses, and what you are doing to avoid abuses in the system. As far as I can tell, it's a system that assumes guilt, and then you have to prove innocence.
That applies to Mr. Kee as well, for the Content ID system.