—in the United States, we did have something like that. It's called the pass-through. The burden was on the record label or the distributor. They would be required to get the licence from the Dolly Partons and then also to remit payment to them.
The music publishing community in the States pushed heavily against that because it was a layer between them and the money, and they had no way to audit that sort of middleman. We pushed aggressively to remove that middleman with streaming services in the United States. The U.S., as you're aware, is very different, for some reason, from the rest of the world, even with mechanical royalties, these Dolly Parton royalties. I'm a big proponent of not having the pass-through. I believe that if you're going to use someone else's stuff to make money, which is totally fine, you have to know whose stuff you're using, get a licence, and make a payment.