Anyway, he complained so much about getting, in my approximation, about $300,000 for that song. It is ridiculous.
Twenty years ago that same type of worldwide hit, which made everybody dance in the street and feel happy, would have brought in something like $3 million for him, which should be very normal, because he enlightened the lives of everyone, which is the beauty of music.
Let me make it clear. I will check out that submission that you sent on this question. I can't wait to see it, because clearly this is something that....
You're tough to hate, because you have a great product. It's the same for Facebook and the same for Google. We all know that Google is in the top five of the most loved brands in the States, on both the Republican and Democratic sides. You can't be against Google. I use it all the time, but the reality is that in some markets, as I've said many times to you, we are not a northern domestic market; we are a bubble of France for whom copyright is super-important, just as it is in France.
I need to make sure that Mr. Price gets to say something, because in Quebec we have a very articulated industry where we know each other very well and we have a large importance for local content in our consumption of television or music. For us, we see the big difference.
Mr. Price, as an American artist composing and being so involved everywhere, would you agree that there's a mystery deal that has been done in the micro-pennies that are paid to artists? How on earth can a publishing house sign such deals with the streaming services?