I don't know how much time is left, but I will try to answer in 30 seconds.
Spotify and commercial radio are two completely different technologies, and the way they calculate royalties owed on music is very different.
One of the reasons why Canadian artists are so badly compensated for streaming is that the Copyright Board of Canada uses commercial radio and equivalent playing time to estimate listener numbers, and so on. As the method used for calculating royalties for commercial radio is not competitive, it doesn't meet the criteria for remuneration in a competitive market.
Obviously, all this has been transferred to streaming and has also hurt our lyricists, our composers and our artists.
I said that we should avoid the sequential calculation of royalties, whereby previous decisions inform current decisions. In the case of streaming, the Copyright Board of Canada did precisely what it shouldn't have, and lyricists, composers and artists are paying the price.
I won't say anymore because the chair is telling me to stop.