There are a lot of things to say. What I was trying to say is that democratization of creation is a great thing. Your neighbour is making art, and that's fantastic, but the problem is that your neighbour is now in competition with professional artists who want to make a living with their artwork. Because he's giving away his work, he doesn't care about copyright, but the professional artist does.
There are a lot of ways we can try to find a mechanism to separate that. This is just a hypothesis. I'll just speak generally, and maybe afterwards we can make some distinctions. You could have an opt-out system, where everybody is in a collective society but then your neighbour could opt out if he wants, because he doesn't care about copyright or he doesn't need copyright to make a living. The other way would be to have something that would be coherent with the act respecting the status of the artist and the professional relations between artists and producers in Canada, which you may know.
It's actually quite an interesting act. If you read the general principles, they really focus on how artists are important to our society and everything. That's with the professional artists. That would be another way of thinking about things, saying, “Well, we have two types of creators: professionals and non-professionals.” I'm not saying they're “amateurs” and what they're doing is not good; I'm just saying that some want to make a living with copyright and some just don't care. The ones who don't care are slowly starting to argue that copyright is not important for anyone.
I don't know if that was a clear answer for you.