—but it is a complex landscape.
Ms. Théberge, it's great to have you here. It's great to have you on the board and to see the changes on the board. I've heard some positive feedback already from some of the witnesses we've had.
Among the jurisdictions of the world, Australia was mentioned, but also France. The collective rights administration in France involves a significant amount of government oversight, maybe more than what we have here, to look at the behaviour and internal management of copyright collectives.
Is your board engaged in or looking at the tariff-setting power and the scrutiny and oversight of copyright collectives in a new way? We've heard a lot from collectives and how they're managed. It seems that there's.... On the record, I guess I'll watch how far I go with that comment, but it was very hard for me to understand how the collectives work, how they're managed and what role the Copyright Board could play in helping us to understand that situation.