I just want to go back to Ms. Lovrics, specifically on CUSMA considerations. My understanding, having read CUSMA—but you could inform me otherwise—is that it's pretty specific when it comes to TPMs for artistic works. It says, really, “in order to provide adequate legal protection and effective legal remedies against the circumvention of effective technological measures that authors, performers, and producers of phonograms use in connection with the exercise of their rights”. Is there a different reading of CUSMA that I should be applying?
