Thank you, Mr. Ehsassi.
Toomaj Salehi was one of the first Iranian artists who came out in support of the Iranian people when they took to the street. His lyrics, his background as a metal shop worker, and his upbringing where he came from made him very popular, because he came from a segment of society where he felt the pain and he knew what was going on in Iran. He was not some celebrity who was pampered or promoted through Iranian media, the regime's media, or any of that. He was really the voice of the people.
That's why people loved him so much, and that's why he was dangerous. The Iranian regime has created this amazing system of creating parallel establishments to the artists, to the intellectuals, to whatever you want—even the opposition. It creates something similar, and it has control over that. That's how it manages the celebrities and the messages that go to the people.
They couldn't do that with Toomaj. With this new wave of uprisings, many celebrities who earlier were not so vocal about the atrocities of the regime have also come out. There are so many football players in prison right now.
Actually, I was going to say this. The IOC, the International Olympic Committee, has a refugee team that's going to the Olympics in Paris. There are 32 members, and 14 of them are Iranians. This shows how many Iranians had to flee in the last two years because of the pressure they were facing. There are 14 Iranians in a refugee team that represents the whole world. This is very important.
I would like to add one more thing. I know my time is limited, but I was just going to the public safety—