I can totally understand why that happens, and I can equally understand why, in the context of many of the prior trade agreements, the approach would be to say that this is happening behind closed doors. A distinction between some of those prior agreements and what we see today is that where you're negotiating tariffs on certain things, that's just basic commercial negotiation, and I can understand there that you would want to keep your cards close to the vest as part of the negotiations.
Where we're talking about copyright notice and takedown, or term of extension, or a range of these kinds of cultural policy issues, these have rarely, if ever, been part of these bilateral TPP-style negotiations. Instead, they have been in broad, open, public fora, and that's where we're out of step with what has long been the conventional approach when we're talking about intellectual property.