I have a whole slew of questions. If I had an hour, I wouldn't be able to ask them all.
I'll touch on what was brought up earlier in terms of the burst of anglophone arts in Quebec and how important that is to the economic development of the anglophone community in general and their presence in Quebec. Being one of those people—Montreal was always my home—I made a conscious choice not to leave either Montreal or Canada on a permanent basis in order to be part of keeping that regeneration alive. You were talking about after the 1995 referendum people beginning to come back. I think there was a trickle back before that.
I've always maintained that the anglophone community in Quebec is different. The anglophone community in the Eastern Townships in Quebec and Montreal is different from English Canada. I think it is not any more evident than in the artistic community. Disagree with me if you will, but I think what attracted anglophones to return to Quebec and the anglophones that were in Quebec was a rubbing off, if you will, of the passion and the self-identity that French Québécois had developed since the 1970s with Gilles Vigneault and all that, and I'll just make the link between Vigneault and Cohen.
Cohen was successful because he was different. He had the Gilles Vigneault troubadour aspect that wasn't happening anywhere in the English language at the time, except for maybe Bob Dylan. I think that's what he captured. But there's a vibrancy that the anglophone community borrowed from Quebec in its story-telling and its bravery in trying things that weren't happening in the rest of Canada. That's something that people dedicated themselves to, whether they were getting paid for it or not, to help build that community in Quebec. Would that be something you would agree with?