Thank you very much. It's my pleasure to talk to you about that a little bit.
Again, this is a project that is starting for us. As with anything, museology ages quickly as well, so we want to ensure that our museum, which is already 16 years old, if you can believe it, is in need of that renewal and that new approach. The way we told history in the late 1990s and early 2000s is different from how we tell it today.
Our main objective in the early days of this new framework, I would say, is to tell that story in a very meaningful and relevant way. I think many of the participants on this call have alluded to this earlier. It's to make history matter. If an event happened 100 years ago, how does it still impact the Canada we know today, so that all Canadians can connect to that history?
Probably one of my favourite examples is the story of Francis Pegahmagabow, who was the most decorated indigenous soldier in the First World War. We tell his story in our gallery, but in our new approach, what we would do is extend that story and say how Pegahmagabow's legacy and his activist work later on paved the way for some of the indigenous rights we know today, so that people can make that connection with history.