Mr. Speaker, thank you for allowing me to come back with a new question for the Minister of Canadian Heritage and Official Languages.
On June 4, I asked a question about Bill C-32, introduced by the Minister of Industry on June 2. He answered my question himself. However, I was not at all satisfied with the answer, which made no sense. I will repeat my question and someone on the other side of the House will certainly be able to answer it. Here it is:
...there is no monetary compensation for artists in this bill. [In Bill C-32, there is no monetary compensation and previous levies have been taken out.] Sales of music CDs are in free fall and artists' revenues are slowly drying up. However, the appetite for music has not wavered [people have not stopped listening, and neither have I] and makers of MP3 players are still raking in huge profits. ADISQ, UDA [l'Union des artistes], the Canadian Private Copying Collective and even the Union des consommateurs are calling for a levy on digital music players [l'Union des consommateurs is an influential group].
Why is the government denying creators their fair remuneration?
Why has Bill C-32 eliminated all sources of compensation?
There are none left. The private copying levy—I will come back to that in a moment—amounts to $180 billion paid to artists throughout Canada and Quebec over the past 15 years.
The Minister of Industry replied:
We want to help artists, but we also want to help consumers.
This bill is about copyright and the Minister of Industry replies that he wants to help consumers. After that, we saw him go off in all directions to help consumers. The Union des consommateurs does not support Bill C-32, but does support the private copying levy.
I would like to take a moment to explain what that kind of system involves. Artists receive levies from the sale of blank cassettes and CDs. Private copy levies are already in the act. Every time consumers buy a blank cassette or CD, they pay 29¢ to a collective society that redistributes the money to artists according to a complex but fair formula. Artists receive their fair share, which enables them to keep creating. Many artists go for months without earning any income because they are busy creating.
The Union des consommateurs agrees with the system and, in its September 2009 brief, suggested the following:
We therefore suggest extending Part VIII of the Copyright Act [the part that modernizes private copying] to devices such as digital audio recorders, digital video recorders including Tivo and other decoders with integrated hard drives, telephones with digital-capable memories, and DVDs.
That text appears on page 21 of the Union des consommateurs September 2009 brief.