There they go again: a “terrible interview” with Evan Solomon. They are yelling it from across the way. What does that have to do with the legislation? He had a terrible interview, if we take them at their word, but what does that have to do with the legislation? They should be able to objectively look at the legislation themselves, come to conclusions and then, when I ask them what the offensive part is or to read off the offensive part to me, they should be able to do that, and none of them are able to do that. That is the problem with their approach.
I do want to take the opportunity to talk about the importance of this, because, as much as I would love to stand here and tell members about all the games Conservatives are up to, there is an underlying, more important issue here. That is the issue of Canadian content, keeping that Canadian content intact and keeping the federal responsibility to make sure that Canadian content and culture stay alive.
I would argue to the member for Saskatoon—University, who is on this wild conspiracy idea that the Bloc is using this as an opportunity to push separation in Canada, that perhaps the Bloc just sees a good bill here that would help to protect French culture in Quebec. I would argue that, perhaps, this is where they are coming from on this, and it makes sense.
I think back to the Canadian content rules. Yes, I am old enough to remember when we could only hear music on the radio, believe it or not. I can remember sitting there or driving in my car and hoping a song comes on and then maybe thinking I would go for a longer drive and maybe the song would come on. While I was sitting there listening, I was subjected to these great artists like The Tragically Hip, who came from Kingston.
I hate to think what the case would have been in the late eighties and early nineties when The Tragically Hip were trying to make their mark on the music scene and what the competition would have been like had they been drowned out by all this music and entertainment coming from south of the border. What would we be like today, representing our cultural identity, had we not had these rules around Canadian content?
While I was driving around hoping for that top-40 song that I wanted to hear so bad, maybe I was subjected to a Tragically Hip song that got me hooked on them, and maybe many Canadians were in the same situation. I can relate that to TV shows. I can relate that to so many Canadian artists. I think it is critically important at a time like this. When I drive to Ottawa and when I drive home, I usually listen to Apple Music. When I am in Kingston, I tend to listen to some of the radio stations a little more, because I am more interested in hearing what they are talking about and what the pulse of the community is.
The point is that more and more people are being driven away from the radio and TV giants toward the Internet, and when they do that, we need to figure out how we are going to promote that content on the Internet and how we are going to make sure that the next band like The Tragically Hip that is up and coming is still going to get exposure. I have news for members: My 17-year-old is not dialing in to an FM radio station in Kingston, unfortunately. He is getting all of his content off the Internet.
How are we supposed to encourage the future generations, like my 17-year-old, to make sure they are being exposed to Canadian content? We need to have legislation that supports it, and I believe that what is being put forward is exactly that. Was the handling of how messaging was delivered and how things rolled out the best? I do not know. I will let somebody else be the judge of that. I am here to legislate. I am here to look at policy. I am here to assess what is in the best interests, in my opinion, of my constituents, and I can tell members that a bill like this, which advances Canadian content and secures Canadian content for future generations, like my 17-year-old, to be exposed to, is critically important, because without that we run the risk of losing what is so uniquely Canadian about us, that Canadian culture and Canadian content.
There are tons and tons of content creators out there now. I watch them too, primarily through Facebook. I see the content that is created, and a lot of them are Canadian. Some suggest that the bill is going to impact their ability to deliver content, but show me where. Show me where the bill gets to that point. Nobody has been able to do that.
It is very important now more than ever that we look at this 30-year-old piece of legislation, bring it forward to adopt today's mediums and where people are going in their content and information, and then ensure that Canadian content can continue to stay alive. I encourage the Conservatives to really think about not just the political gain from this, but what it actually means to artists and to the people out there who will be the beneficiaries of having a system in place that promotes Canadian culture. Had Canada not done that decades ago, who knows where we would be now?
If we only ever look at issues as an opportunity for political gain, to bump our number by half a point in the polls, to try to edge out the other parties by a bit here and there, we completely lose sight of what our job is here. Our job here is to develop, scrutinize and create good policy that Canadians can be the beneficiaries of.
I do not think the Conservatives should be hijacking these issues, although to their credit, they have done a fairly good job of it. It might solidify their base and it might help them raise a little money, but it is certainly not in the best interests of Canadians.