Mr. Speaker, I appreciate this opportunity to speak. I must admit, I need to thank the member for Richmond—Arthabaska. We are members of the heritage committee together, and he asked me if I would speak to this bill, which we support. He asked me if I would speak to it a bit earlier today. Without a lot of time to prepare, I thought it would give me a great opportunity to speak to what we have heard a lot about already today in this chamber, which is the importance and the power of the visual arts to inform, educate and heal. Many members have said that so eloquently already.
What I find interesting is that so far I have not heard, including from the other Conservative member who spoke on this topic already, about how the arts are important for telling our story as Canadians. They are important for living a full, self-actualized life. They are part of our growth and healing. As a Conservative, I also think it is crucially important we point out the importance of the economic impact of the arts.
I can give members all kinds of examples in my riding of Parry Sound—Muskoka. Parry Sound—Muskoka is a beautiful place with many beautiful vistas. It is visited by many thousands of tourists and cottagers every year. One of the things that is unique to Muskoka is the fact that we have so many artists who live in and around the beautiful lakes and trees that make up our landscape.
In fact, the Muskoka Autumn Studio Tour was one of the very first studio tours established in Canada back in 1979. There are dozens of artists, such as Catherine O'Mara; Janice Feist; Stan Tait, who makes jewellery; Miranda Britton, who makes jewellery; and Marni Martin, who makes beautiful tapestries.
These people do such incredible work, and they create such beautiful items, but they also created careers for themselves. They all work in this field, and they have had tremendous success. The Muskoka Autumn Studio Tour is a great example of why supporting the arts is also a really smart economic move. I point out that one example for my colleague from B.C.
I would like to point out as well that Senator Bovey from the other place presented this motion in the first place, and it has since been brought here. She pointed out the importance and impact of the arts sector on the economy. She reported that the GDP of cultural industries in Canada in 2017 was $58.9 billion, or $1,611 per capita, which is about 2.8% of national GDP. Those numbers are from 2017. It is a significant contributor to our economy.
I also think about the local artists in my region when I think about the importance of telling our story. I think back to one of the founding members of that Muskoka Autumn Studio Tour, Brenda Wainman Goulet, who sadly died suddenly a few years ago. I was the mayor of Huntsville at the time, and when I was asked by the family to speak at the memorial service, I thought long and hard about the work that Brenda Wainman Goulet did. She took the rugged granite of Muskoka and blended that with metals and created some of the most beautiful sculptures I have ever seen.
When it came time to beautify the front of a new theatre that was constructed in Huntsville, the Algonquin Theatre, we looked for an artist to create something special, a special statue in front of the theatre. Brenda Wainman Goulet created a bronze sculpture of Tom Thomson, the famous pre-Group of Seven artist who was famous for painting striking Canadian landscapes of the Canadian Shield. I have seen more people have their photo taken with that bronze statue in downtown Huntsville than anything else in town.
At the time of her memorial, I was thinking a lot about the importance of beauty. It brought me to thinking about something I had read years before called Italian Journey, which I am sure Mr. Speaker is familiar with. It is actually an edited version of the diary of Johann Wolfgang von Goethe, who was a very accomplished young man in the 1700s. He had been appointed to Duke Karl August's privy council at the age of 25.
He was very accomplished. He oversaw the expansion of silver mining in the Duchy of Saxe-Weimar. He implemented reforms to the university there. He sat as a member of the war and highway commissions, all at the age of 25. He was a very accomplished young man. He was also instrumental in the planning of the botanical gardens and the reconstruction of the ducal palace, which is a UNESCO world heritage site today in Italy.
At the age of 37, though, Goethe was frustrated and feeling like something was lacking in his life. To recharge, he decided he would travel through Italy, and from 1786 to 1788 he travelled through Italy. He chronicled his experience, of course, in his diary.
He really yearned to understand what possible conditions there were in Italy that made it such a paradise. Italy was obviously well known at the time to be a beautiful place. He concluded that, with what seemed to be a limitless expression of art absolutely everywhere in Italy, beauty was not a momentary reprieve from the dreariness of everyday life. It was everyday life, and it filled his soul.
Art is good for the economy, and it is good for the soul. It is important for us to share and understand our stories, for generations to come to understand our stories, and to certainly understand in a meaningful way what we do around here. For these reasons, I think it is very important that we all in this House support this bill and the concept of a visual arts laureate for Parliament.