Mr. Speaker, first of all, I would like to mention that I will be sharing my time with the member for Edmonton Strathcona .
There are things that cannot be measured in dollars. There is a refrain that an entire people knows by heart, a show that unites three generations in front of the same screen, a news report that forces us to face the truth; that is culture. It is not a luxury that people treat themselves to when everything is going well. It is the thread that connects us to one another and that obviously connects Quebec, la belle province, to the world. I would like to thank my Bloc Québécois colleagues for dedicating this day to culture.
We completely agree on the facts: Culture is at the heart of Quebec's identity; it sustains our economy, and it is now weathering a storm.
I am from Montreal North, Bourassa. Where I come from, culture is not an abstract concept. It is a young artist recording their first track in their basement. It is a teenager filming her neighbourhood with her phone because no one else is telling its story. It is a family newly arrived in Quebec discovering the Maison culturelle et communautaire de Montréal-Nord and the artists who give voice to their new community. For these young people, culture is often the first door that opens. It is a path to self-confidence, to a career and, ultimately, to a full and equal place in Quebec society.
The question, then, is not whether we should support culture; of course we should. The real question is how can we support it here and now, in practical terms, without leaving our creators by the wayside. What exactly is at stake?
Let us remember what is at stake. In 2024, audiovisual and interactive media generated more than $20 billion in gross domestic product and more than 172,000 jobs. Sound recording and music publishing generated over $542 million and some 5,500 jobs. Behind these figures are faces, screenwriters, sound engineers, film crews and local journalists. Around them are workshops, suppliers and restaurants that depend on every production and every event for their existence.
That talent shines. This year, the National Film Board of Canada won the Oscar for best animated short film with The Girl Who Cried Pearls.
The money we are talking about today is tied up in court, but let us not lose sight of reality while Quebeckers are watching us. The Online Streaming Act brought platforms into our system. In 2024, the CRTC required them to contribute 5% of their revenue from their sales in Canada. That decision has since been challenged in court. In May, the CRTC increased the requirement to 15%, but everyone knew that a new court battle would ensue.
In the meantime, who is paying the price for the wait, for the delay? Who is really paying the price for this opportunity cost? It is not the platforms; it is the creators. No money comes from levies stuck in court. No movie production can be funded. No newsroom can be saved.
That is why, on June 3, our government made a clear, informed and responsible choice to give $600 million a year to the audio and audiovisual sectors. That is $600 million a year now, not in five years or following a legal proceeding. This is a firm commitment from the government.
As we are permitted to under the act, we also provided the CRTC with new policy directions that set out clear priorities: French content, local news, indigenous stories and official language minority communities.
As a government, we are refusing to let families foot the bill. In my riding of Bourassa, people are counting every penny. Culture must therefore remain accessible to everyone, not just those who can afford it.
We are talking about an additional amount here. What has been added? This $600 million is on top of the investments in the most recent budget. That brings me to the comments that I heard from my Bloc Québécois colleagues today.
When stating facts and quoting numbers, it is better to take the entire amount into account. The sum total is not $600 million. The calculation must include every other investment, ant the total then becomes $1.15 billion: CBC/Radio-Canada got some money; $150 million over three years for Telefilm Canada; $127.5 million for the Canada Media Fund; $48 million for music; not to mention the National Film Board, the Canada Council for the Arts and TV5MONDE+, which showcases French-language original content. That channel is really dear to me. Before I came to Quebec, my window into Quebec culture was TV5MONDE. It was really important for me to mention it.
Unfortunately, the Bloc Québécois voted against that budget and blocked it. They cannot ask for resources to support culture after blocking all the investments I just listed. They support culture in the morning and vote against it in the evening. That is critical: There needs to be some consistency between what they are saying today and how they voted previously. They obviously should have voted for the investments announced by the government, not against them.
An important point must also be made. I encourage all members to read the recent articles published by Radio-Canada and La Presse on misinformation, because culture also includes access to reliable information. In an age of misinformation, an independent journalist who verifies facts, conducts investigations and provides context is a safeguard for our democracy. Journalism is one of the pillars of our democracy. That is why we are undertaking consultations on extending the labour tax credit for journalism to audio and audiovisual production.
Let us now turn to the future. We are also paving the way for the next generation. An advisory group is currently examining the modernization of our audiovisual institutions. No decisions have been made, but one guiding principle remains clear: Creators must retain ownership of their work and the value it generates. Having taught at university and worked in artificial intelligence, I say with conviction that AI will profoundly transform cultural and artistic creation. It is up to us to ensure that it serves our artists rather than replacing them. We must ensure that it acts as a tool that strengthens and supports their work rather than displacing it. Achieving that goal requires investment in training and respect for the work of creators.
I want to go back to the motion itself. The Bloc Québécois is asking us to respect the CRTC. We respect its independence, but the law also gives the government the responsibility of giving it direction. That is what we are doing openly before the House. Locking in a framework that is bogged down in court is not protecting culture. It is prolonging the wait and creating delays. The Bloc Québécois is asking us to provide $600 million. We share their sense of urgency. It is precisely because we share that sense of urgency that we have opted for direct funding rather than waiting for the litigation to be resolved.
In closing, I want to go back to this young man from Montreal North, leaning over his microphone in his basement. I want him to know that his story matters, that his voice matters, that his language matters and that, tomorrow, there will be a strong industry ready to welcome him. The choices we make today, as a government, are not just about jobs and businesses. They decide what stories we tell and what stories we will tell our children, our young children, and what stories the world will hear from us.