Mr. Speaker, as a matter of fact I thought this would be a question and comment period myself, but now that I have the floor I will address some of the comments made by my hon. friend from the Reform Party.
In this House I may be the only member of the Alliance of Canadian Cinema, Television and Radio Artists. I have knocked around the industry performing professionally since 1966. I can recall where film was at that time, where it went and what the inhibitions were to its proper and orderly development in this country.
Film development and the development of a base for film production in Canada is much more than loan guarantees, although they are part of it. It is much more than tax incentives which have not always worked in the past.
The requirement has been for a consistent employment of both technical and performing talent which would allow the medium to continue to grow in this country. It is not enough to establish an industry on a one-time basis. What happens is you can bring in a lot of mediocre capability and end up with a mediocre product and then have nowhere to go from that point onward.
To this point the development of film drama in Canada with the assistance of successive governments has been consistent. It has been consistent enough so that the talent base has been maintained and cultivated in this country, not just the talent base for performers but the talent base for technical people, the technical base for all of the ancillary needs of a film industry.
It has grown to where it is starting to be recognized as being one of the best places to produce films and television programs in the world. That was not so in 1966 when producers and directors who in the main were from other countries looked upon Canada as a place to go to to get cold.
I recall a company in Toronto called Film House which established one of the most sophisticated and advanced systems for film dubbing. It ended up failing because it could not attract the volume of work needed to keep afloat.
It has been a constant battle, a constant effort, to prove that Canadian capability ranks as world class in order to attract the kind of-my friend refers to joint efforts with other countries-joint effort as a result of assistance to the Canadian film industry that allows the rest of the world to look on it as being second to none. As hon. members will know, we are now in a position where we are able and do produce television series and so on which we export to the rest of the world.
Film production as we know is a very individualized effort. My friend talked about making sure that these loan guarantees were spread across Canada. I have to tell him that film production is site specific. It is not relegated to the major centres of this country. Feature film is shot in every province of Canada but it is done on a film specific basis. I believe that loan guarantees in this case are probably superior to tax write offs.
I can remember when there were very attractive tax write-offs in the film business. A lot of film was produced that never saw a screen. It never got farther than the can but it fulfilled the requirements for the tax write-off.
I would suggest when we are considering assisting this kind of venture that we should be taking those elements into account. We have reached a certain stage in development. I use the phrase talent base. Talent base is a much more broad term than actors as I think we will all accept. We have reached a level where Americans like to come to Canada because grips, technical people, cameramen and women are able to compete on a world class second to none. Facilities now have developed to a point at which we have some of the largest sound studios in the world. We have the best technical people. We have a class that we can offer. What happens is that these productions in effect de facto become an export for Canada.
Support for the performing arts in the past has often taken second place to things that some people considered to be more important. I have to say that if we look at support for the performing arts, whether it is in theatre or film and so on, it has an economic spinoff that may be as high if not higher than any other venture.
If anybody wants to challenge that I would invite them to downtown Toronto any night of the week to see all of the theatres that are operating at the present time and the spinoff effects that has on the economy of metropolitan Toronto for the people who work in the service industries, et cetera.
When you and I go out and pay $65 for a ticket, which we think is exorbitant, to see "Miss Saigon", we probably buy dinner as well and take guests with us. All of that infuses economic activity into that area.
Assistance to the performing arts, regardless of what it may be, is an economically sound venture providing it is done in a responsible and proper manner. I heartily endorse it.
The other thing we must consider is that we are in competition with other countries in the world. Australia was one of the early lower populated countries to begin to export film and television programs. Over the years it has been very successful. Canada is now perhaps behind in the volume of export that goes on. It is because these countries support their industry. We can do no less in this House than to provide that kind of support. I of course endorse this bill wholeheartedly for the reasons I have put forward.
I would hope that every member in this House understands that this kind of support is a positive thing. It is an investment. It is something we do and we expect excellent sustaining returns.