House of Commons photo

Track Charlie

Your Say

Elsewhere

Crucial Fact

  • His favourite word is going.

NDP MP for Timmins—James Bay (Ontario)

Won his last election, in 2021, with 35% of the vote.

Statements in the House

Copyright Modernization Act May 14th, 2012

Mr. Speaker, I guess the big issue is that members of the Conservative government do not want to address the obvious flaws that could have been fixed in the bill. They have taken a very belligerent attitude toward fixing those flaws.

For example, if people have a perceptual disability, perhaps they are blind and they need to access something for work, they should not be criminalized and treated like pirates. Yet, under the bill, they can only access the work if they do not “unduly impair the technological protection measure”.

I do not know if my hon. colleague deals with technical protection measures, but they are not like a lock that gets picked and then everyone gets to run in. It is a complex code of software. The fact is the government refused to deal with very clear, simple amendments that would protect students with perceptual disabilities to access works that they had a right to access. The government refused to work with them and would treat them the same as they would a pirate.

Why would the government not show a little decency and a willingness to work with the opposition to fix the obvious flaws of the bill?

Copyright Modernization Act May 14th, 2012

Mr. Speaker, I was really glad that the member was so precise that the Conservatives took $21 million off the table, because that is not what they said they were going to do. They said they were creating a 30-day exemption, but that 30-day exemption is a loophole which then allows them not to have to pay that. It is an extraordinary thing to set up legislation that creates a loophole for one group to sneak through and not have to pay, yet when the Conservatives have been asked about it, they have said that they have no intention of artists having a right to be paid.

I would like to ask my hon. colleague why the government actually intervened directly into a system that had been adjudicated by the Copyright Board. These were rights in the same way that anyone has a right to receive compensation, but the government decided it would create a loophole and ensure that the large radio players do not have to pay it.

Why would he think that creating loopholes to rip off artists is good public policy?

Committees of the House May 14th, 2012

Mr. Speaker, I am very honoured to rise on behalf of the New Democratic Party with its response to the ethics and privacy committee's review of the Lobbying Act.

We felt that in this committee all parties managed to do some very good work on the issue of lobbying. However, there are serious shortcomings that have to be pointed out and addressed, because Canadians expect accountability on the issue of lobbying.

While we support the overall recommendations, we have to note that the government restricted the witness list. It restricted it in such a way that Guy Giorno, former chief of staff to the Prime Minister, a man I would never normally quote except in an accusatory fashion, said that the committee had “larded the witness list” with consultant lobbyists who have a biased point of view.

The other really disturbing issue was the fact that the government members continually refused to allow the RCMP to be heard.

As a result, we have a number of recommendations.

We recommend that the lobbying commissioner be empowered to carry on investigations that have been handed over to the RCMP, because the RCMP has never followed through; that consultant lobbyists must report the ultimate client of their lobbying work in their monthly communications report, not just the firm for which they work; that we enshrine immunity provisions to protect the Commissioner of Lobbying and her delegates; that the Commissioner of Lobbying must retain a formal mandate to educate lobbyists and the members opposite; and that a list of all designated public office holders must be maintained—

Political Party Financing May 14th, 2012

Mr. Speaker, what Canadians believe in is honest and credible fundraising, and they have not heard that from the government side.

We cannot seem to catch up with all of the Conservatives' dubious tactics, but hitting up the Shriners, what is with that?

Diverting money that was intended for charity is a very serious allegation. I hope the Conservatives would understand that, because it is a question of trust. It is a question of ethics. At the very least, it is a question of competency.

Would the government agree to a full review of Conservative Party fundraising to ensure that Canadians could have some level of trust in what the Conservative Party is up to?

Copyright Modernization Act May 14th, 2012

Mr. Speaker, he did not ask me about the $10,000 bet. I think he is owed some money. We were told that there would be an interest in amendments and, of course, when we got to the committee stage, the government shut down again and again any attempts to move forward with reasonable amendments. That is what we are talking about: reasonable amendments.

In terms of the technological protection measures, our position is that we want to be in line with the vast majority of WIPO countries. Under the WIPO treaty, we are allowed to make exemptions for existing law. We recognize the importance for new streaming media, the gaming industry and their use of technological protection measures, which is creating an industry. However, we cannot simply say that a corporate right overrides a legal right of a Canadian citizen. In terms of technological protection measures, we could move ourselves in line with most of our European allies by clarifying the language so that we would not be criminalizing people doing research. They should not be treated the same as members of The Pirate Bay. There is a fundamental difference.

Law can do that, but the government seems to have an either/or, black or white, “members are with us or with the child pornographers who are also ripping off CDs” mentality. We should link technological protection measures to infringement. We should be very clear. If people are breaking the locks to break the law, the law is going to come down on them. However, if people are having to get through a digital lock to access something they have a legal right to, they should not be criminalized. It is a fairly straightforward position.

Copyright Modernization Act May 14th, 2012

Mr. Speaker, I talked in my speech about the impacts of education and technological protection measures and how we could clarify that, so I will not get into that in response to my friend from Nickel Belt, who, by the way, does excellent work for the people in the Nickel Belt region. I wanted to throw that little plug in.

The question is about remuneration on the issue of the arts. Artists do not want to live on grants. They want to live on a business model. The business model is based on copyright. It is based on mechanical royalties. It is based on the copying of their work. This is something the Conservatives have directly attacked. They have always been against the levy that was put in place by Canada and has been used around the world. They rant on about the iPod tax and taxing consumers when it has been a fundamentally guaranteed principle that all manner of copies are made, but at some level the artists should be part of the value chain. This is what we see as very disturbing in this legislation.

Conservatives talk about protecting consumers, which they actually do not do. They put consumers under lock and key with the digital lock provisions. They never talk about the fact that every day around the world there are millions and millions of copies made. Everybody is making something off that except the artists. We need to get serious about the remuneration of artists. I have never met an artist who was asking for the moon on this. They just want to know that they are getting their share so that they can continue to record, to tour and make great art that is known around the world.

Copyright Modernization Act May 14th, 2012

Mr. Speaker, I am very proud today to rise on behalf of the New Democratic Party at this stage of Bill C-11 and as we are dealing with the amendments. There is probably not an issue I have spoken to more than the issue of copyright.

Since 2004, when Jack Layton was the new leader, we have been identifying the need to modernize Canada's Copyright Act. For the New Democratic Party, it is a fundamental pillar, creating a modern 21st century digital economy. We understand how having good copyright is essential for the creation of artists, for ensuring that we have a good and solid Canadian industry for arts and creation but also for innovation and that we can use this to leverage ourselves internationally.

I listened to the Minister of Canadian Heritage when he talked about the openness of the government. I think the reality will show it is a bit different. The government's first bill, Bill C-61, was literally a dog's breakfast. It died the day the government brought it forward because it was such a mishmash and it was so poorly thought out.

The government then brought out the following bill that ended becoming Bill C-11. There were elements about the bill that were much improved over the previous legislation and, for us, we came at this issue to improve the bill. We had heard from many groups that felt that the bill was still fundamentally flawed and could not be supported. However, our position was that we would rather have copyright than go back to square one, that we needed to find a mechanism to update the copyright regime to provide security for Canadian industry, for Canadian artists and for Canadian consumers.

We set out to work with the government but there were a number of serious flaws with the bill that needed to be amended. My hon. colleague for the Conservatives said that this was not an ideological issue. I agree with him. I think this is about making good public policy. The amendments that we brought forward were addressing the serious shortcomings in the bill.

When we talk about copyright, the term has been defined by English common law that “copyright” is the right to make a copy. Under French law it is “droit d'auteur”, the right of the author. These are fundamental principles. The right of the author. The right of the author to remuneration. The right of whoever is making the copy to remuneration. That is the fundamental principle of copyright.

Now it is not an exclusive right. It is not a property right. It is not something that a person just owns, because it is also a public right. Parliaments going back hundreds of years decided that there was a balance between the right of the person who creates the work and the right of citizens to participate in that work. Sometimes the participation in that work is how they take those ideas and change them. This is how art and culture is created. It is a balancing act.

However, what we cannot do at any point is to take a right that existed and erase that right to favour someone else. We cannot say, “You were able to receive remuneration for this part of your right as an author but we don't think that's really a good idea any more”. That is an undermining of the principle of copyright.

How does this all play out n terms of the digital realm that we are in?

There are elements of the bill that we supported. We supported bringing Canada into compliance with WIPO countries. We supported the moral rights of artists. For many years our artist communities have been asking for the moral right to have a say over their work.

Even with the government's mash-up provisions, which garnered some attention, we liked the idea of not criminalizing people for creating all these new elements in the Internet realm, things that we would not even have been able to imagine 15 years ago in copyright law. However, we said that there needed to be a moral right element as well to ensure that what was being created in the new format was not impacting the commercial value in the old.

There are about five clear areas where the government has absolutely failed to listen and failed to move forward.

One is, as my hon. colleague from Davenport talked about, the deliberate decision to create a loophole on the mechanical royalties so that a certain industry does not end up having to pay copyright. We cannot create a loophole so that people do not pay what they are obligated to pay. However, we heard again and again from the Conservative members on committee that they were creating this loophole because they did not think that artists should get paid. That is not what legislation should be used for. We either strike legislation that gives the artist the right to be paid but we do not create a loophole. We heard from the radio industry again and again saying that it was unfair to create this loophole because now it would need to exercise this loophole. It wanted it gone altogether.

That is $20 million erased right off the table for artists. We remain deeply opposed to that.

In terms of the technological protection measures, our colleague from Saanich—Gulf Islands pointed to a whole series of very narrow technical exceptions that her party is bringing forth.

Our overall principle is simple. We support the ability of new industries to use technological protection measures to protect their right to create a market. However, and this is under the WIPO treaty, those technological protection measures do not usurp the legal rights that already exist under legislation. We cannot have two tiers of rights. We cannot have a set of rights in the paper, analog world and a lower set of rights in the digital world. However, the government says again and again, if people do not like it, they should not buy the product, as though it would allow a corporate interest to define the rights that are defined by Parliament.

Rights for exemptions under the breaking of a technological protection measure would be for study, for satire, for research, for innovation. These are very clear, straightforward things, for a purpose that a person has a legal right to access.

This brings me to the third issue, that of people with perceptual disabilities, students who are up against some of the most onerous difficulties in getting an education. Under this bill, they would only be allowed to impair the technology protection measure “if they do not unduly damage it”, as though the government thinks a technological protection measure is some kind of lock, which is okay for an individual to pick and go in, but the individual cannot leave that lock open. We are talking about a complicated piece of software, a code. For a student who is hard of hearing or blind, this provision should have been very simple. Students with perceptual disabilities are not breaking the law to make the print bigger on their Kindle so that they can participate in class.

That is an issue of fundamental fairness. We would not, by allowing that, destroy the market for books or film. Yet students with perceptual disabilities are unfairly implicated to defend this black and white world view the Conservatives have. They talk about copyright being a balancing act. It is a balancing act, but to have a balancing act, we have to understand that there are some nuances, some play.

The other area which deeply concerned us is the impact on education. We will not get into the issues of what is under fair dealing and how that should be remunerated, because that is something that is continually fought in the courts and at the Copyright Board. In the transfer of information that people are using, we have an opportunity in a country as big as Canada to transmit library data, for example, but under the bill, we would be allowed to have the library information for five days and then it somehow would have to disappear in the air. Maybe we would have to burn it, or a technological protection measure would have to be placed on it.

I do not know who thought up that provision. Obviously they have nothing to do with education. For example, I want to get the memoirs of old Mrs. O'Grady who lived in Red Deer and wrote about what it was like to homestead in 1900. The memoirs are in a little library in Alberta and I am studying in Nova Scotia. Now, the library makes a photocopy and ships it to me and I have it for a month to study. That seems fair. However, if the library made a PDF and sent it to me, I would have it for five days and I would have to magically make it go away. That does not make sense. Who does any research within five days?

For legal research or medical research, the fact is that we have great universities and small high schools. Information is being transferred back and forth. Then we have this provision that would give us five days' use. It just does not make sense.

We have shown a willingness. All our amendments were reasonable. The government refused to deal with them. At the end of the day we will not support the bill because it is an unfair attack on the rights of artists and it unfairly impinges on the ability of education and the development of new business models.

We remain willing to work with the government, but it will have to show a little more of what it calls openness when we are talking about moving forward the digital strategy.

Copyright Modernization Act May 14th, 2012

Mr. Speaker, we have looked at some of the hon. member's amendments. We find some of them, in a way, overly focused.

We believe in the general principles of technological protection measures, but it has to be defined in a very clear manner. If we link the breaking of a technical protection measure to infringement, then that is breaking the law. However, we see that the hon. member is getting right down to how to negotiate a contract with Rogers or whomever on a PVR signal.

I am worried about the implications of going to that level of specificity in terms of unintended consequences. I find it is the same with her position on education and the idea that we would turn it over to the Governor in Council to define education. This has been one of the most difficult issues we have found.

The Supreme Court has dealt with the overall issue of how to define fair dealing, and we also have the Copyright Board to adjudicate these matters. The New Democratic Party is certainly very uncomfortable with the idea of giving that decision-making power to government. The member says it will be more nimble and flexible, but we are worried about accountability and actually doing it on the basis of evidence.

Copyright Modernization Act May 14th, 2012

Mr. Speaker, I listened with great interest to my hon. colleague.

The New Democratic Party has tried to work with the government to fix a badly flawed bill, yet none of the amendments that were brought forward would it accept under any circumstances.

This is an important issue, because we are talking about provisions that would criminalize students, but also that would directly attack the royalty rights, the rights of the author, the rights of musicians and creators to be paid.

One of the big issues for us is the issue of the moral rights of the artist. We had pushed the government to clarify this under the mash-up provisions so that artists would not have their art unfairly taken, but citizens would not be unfairly impinged from doing whatever kids are doing now on the Internet.

I would like some clarification from my hon. colleague, because his amendment to clause 2 would change the moral rights in terms of deleting the right under performances. That is an issue we have fought hard for.

Would the hon. member explain why the Bloc has decided that instead of expanding moral rights it is actually limiting them?

Government Appointments May 10th, 2012

Mr. Speaker, what was that? That sounds like a political party that is circling the drain because people are getting tired of the pork barrel patronage that it is engaged in.

Let us go through a few more other stellar examples of those who come forward to help us and help themselves. There is Bruce Carson, a good buddy of the Prime Minister, appointed to the Canada School of Energy and Environment. How about Gary Valcour, riding president of the Minister of Finance, and now on the Oshawa Harbour Commission?

All of them are Conservative buddies. All of them are feeding at the trough. Why are they engaged in the same old tired politics that Canadians got fed up with when they kicked out the Liberals?