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  • His favourite word is going.

NDP MP for Timmins—James Bay (Ontario)

Won his last election, in 2021, with 35% of the vote.

Statements in the House

Business of Supply March 31st, 2009

Madam Speaker, the million-plus people in the Hamilton region, who have been left out of the national discourse because they do not have a CBC radio station, have at least been able to point to their regional television network. Now that is in question.

Again, this is the problem with the crisis we face at both the private and public broadcast level. The refusal of the government to understand that they are intertwined and that there needs to be a solution to ensure local voices is leaving large sections of our country, urban, rural, isolated francophone and anglophone areas, out of a national conversation. It is simply unacceptable in a country like Canada in the 21st century.

Business of Supply March 31st, 2009

Madam Speaker, my colleague is absolutely correct. We had talked about a long-term plan of $40 per capita as a way to deal with the future needs of the CBC. The immediate problem is the need for bridge financing. It would have been a perfectly reasonable solution to get the CBC through this. Instead, the loss of 270 jobs at Radio-Canada in Montreal, for example, will be felt in our francophone communities right across Canada. The disappearance of voice, of stories, of conversation makes it more difficult to maintain a cultural cohesiveness across such a vast territory if we do not have those in place.

Regardless of the Conservatives' gibberish about how the private sector will do it, nobody has filled these gaps. The ability of the francophone regions to speak to one another can only happen in the context of a public broadcaster. I believe this is the direct result of a government hiding behind an economic crisis to carry out an ideological vendetta.

Business of Supply March 31st, 2009

Madam Speaker, the real issue facing us is that we are in an unprecedented crisis in broadcasting in regional and local voices right across the country. The minister stood back and refused to come forward and say that we should have a plan and we should find bridge financing. The government left CBC dangling until the last minute and then pulled the rug out from under it. The government blamed the CBC and said that it should live within its means.

There are going to be cuts that are so deep there will be no turning back from them, especially in terms of the regions. There have been no stations closed, but stations have been bled so much that they are anemic and can no longer do their job. Strong, smart, young journalists are being given pink slips. They will not be coming back. Because of the government's indifference, we are going to see the loss of the broadcasting voice of this country to the point of no return.

Business of Supply March 31st, 2009

Madam Speaker, my hon. colleague and I worked together on the heritage committee and it was a lot of fun crossing swords with him many times. I hope we will be able to cross swords many times in the future.

I think my colleague is partially correct and partially muddying the waters. In terms of the hits to CBC, as I said in my speech, the reason we are here today is the years of chronic underfunding that go back to the massive cuts that were made by Chrétien and Martin in the 1990s. As my colleague said, the cuts damaged the CBC to the point that the president of the CBC at the time actually resigned.

We have been digging out of a massive hole ever since. The problem with his statement is that we have been hearing repeatedly from the Conservatives about their commitments to record funding, record funding, record funding. It is very much like getting kissed by the crocodile in terms of telling us how much they love public broadcasting. If one looks at the increases to the CBC, it is actually flat. What my hon. colleague identifies as increases are just the standard Treasury Board increases for inflation across the board. That is not any commitment to CBC. It just means they have not cut anything.

Other costs have gone up. CBC is stagnant and it remains stagnant. The heritage minister says that they have given record support. However, the issue today is bridge financing and loan funding that would not have cost the government money and would have allowed the broadcaster to do what any private broadcaster would do, which is when there was a shortfall, they could have gone to get financing to get through it. The government pulled the rug out from under them. Now, on top of the previous shortfalls, we are seeing a major hit to their bottom line.

Business of Supply March 31st, 2009

Madam Speaker, I am very proud to rise in the House representing the people in my region of Timmins—James Bay.

I am speaking with a heavy heart about what is being discussed today. I was afraid there would come a point when we would have to discuss this issue because we would come to a point where a government attack on the CBC would lead us to a situation where the future of the broadcaster would be a topic in the House.

In an attempt to forestall this day coming, I was on the heritage committee last year and it initiated a study of the CBC so that all members of Parliament would fully understand the role and importance of the CBC, and we could get all parties to buy-in to a vision of a reformed broadcaster. At that time, the NDP worked closely with its allies, the Bloc, Liberals and Conservatives, to bring forward a plan. Unfortunately, the plan that had been laid out by the heritage committee to address the many problems being faced with an underfunded CBC was ignored by the minister. The ensuing crisis is part of the problem now.

The loss of jobs that the CBC is facing comes at a time of unprecedented crisis in Canada's local and regional broadcasting markets. Private broadcasters' local television stations are being closed across the country. Once proud, independent television stations that grew into larger conglomerates are now being thrown aside as somehow having become a junk product, when for decades they built audience share and a local voice.

No better example could be given than CHCH-TV in Hamilton, which provided such a unique role. It was brought up in the Canwest chain and is now being discarded. That is an example of the kind of broadcast crisis we are facing. It is not just in terms of radio and television. It is in terms of newspapers. Many great local papers, some of which have been around for more than a century, are being bought by massive chains.

Every time we see more media concentration, the result is always clear, they cut more staff at the local level and get rid of local voices, to the point where many of the local newspapers across this country, that have served communities for decades or even a century, do not even have local editorials any more. Whoever is in the meagre stable of whatever media oligarchy is running that section of the country will present a national editorial. What happens each time is that local people feel their stories are disappearing. It happens bit by bit. Now we are in a full-fledged broadcasting crisis.

Let us talk about the CBC. The importance of the CBC in the Canadian broadcasting context is that it is a conversation. It is a conversation between Canadians. At its best, that is what public broadcasting is supposed to be and it is a job that private broadcasters cannot do. It is not to say that private broadcasters do not have their niche in their markets and serve their roles well, but the notion of a national conversation is only possible within the context of a public broadcaster.

I will give an example. When I was much younger, I was involved in media. I ran my own independent media magazine and online service as a regional voice for the north. I worked as a broadcaster for Studio 2, a provincial service. I did some work with the CBC and went to the CBC through my work in the arts.

When I was much younger, my band recorded the first Grievous Angels cassette. Even before we had a record we had a cassette, and we had the idea that if we got the cassette to Stuart McLean, he would play it on the radio and he did. Our first national public broadcast was by someone running up to Stuart McLean on the street and saying, “Here is a cassette, Mr. McLean. Would you play this on a national radio show?” The next thing I knew the band was being interviewed by Peter Gzowski on Morningside. That day the group went from being a very small local band to a band that was being asked to play across the country.

I am saying this not to brag, but to say there is no other broadcaster in the country where it would be possible for a song of a band that is completely unknown to be played once on radio, and then to be invited to Vancouver, Winnipeg, Edmonton, right across the country, because people heard it and identified with it.

That has been the role of the CBC right across this country in terms of creating voices for new artists, new writers, new thinkers. When they are interviewed, whether it was by Gzowski in the old days or even today on Jian Ghomeshi's Q, or any of the other programs, people hear that and they feel they are part of this conversation. When the cuts that we are talking about today happen, they happen in a way that affects the ability of regions to speak to one another.

Nowhere do I see this more so than the cuts we are going to face in northern Ontario at CBC Sudbury and CBC Thunder Bay. In this market, CBC Sudbury represents a region that is about the size of western Europe. To cut 8 out of 16 jobs at CBC Sudbury means that the ability of this station to represent to Canada, in the multitude of communities that are as far flung as the shores of Hudson's Bay and James Bay, right across isolated communities in the north, has been terminated. It is no longer possible for that station to do that job.

The cuts will mean that we will have a morning show or an afternoon show. We will not have both. Let us say we lose the afternoon show out of CBC Sudbury. What does that mean in the grand scheme of things? It may mean nothing to people in other regions, but without an afternoon show, we now lose the one show that promoted local writers, regional artists, regional voices. Great performers like Kate Maki, who built a national name, do not get their start because they are not going to be heard on the local afternoon show. The local role of CBC Sudbury has been to cover an entire region.

The other role that CBC Sudbury plays, which is absolutely invaluable in our region, is that we have a francophone service representing the very large francophone population of the northeast, and we have English radio. It is the one format where the francophone and English populations actually speak to each other.

We have programming on CBC North where the hosts of the various shows speak to each other, so that the English milieu is hearing and understanding what the issues are in the francophone community. When we cut those wires, that conversation ceases. It has a profound impact and it draws us back to this fundamental question. What role does a public broadcaster play?

If we are going to cut regional services like this, we are essentially saying that we are turning out the lights in parts of our country. Nowhere else could I think of the effects than in my isolated communities on the James Bay coast. Those communities are served by Wawatay Cree Radio, where the communities speak to each other, but their only ability to speak to a much broader context is through CBC.

When St. Anne's Residential School in Fort Albany burned to the ground, it was a story that everyone in our region shared because CBC was there. When two young men burned to death in a jailhouse fire in Kashechewan, CBC brought that story to the nation, but now, two years later when we are actually having the hearings on what happened to those two men who burned to death in that makeshift jail cell, we will not have the budget to have CBC Sudbury cover that.

In fact, one flight now to Kashechewan, if CBC were to do its job, would probably wipe out CBC's budget for the year in Sudbury because there is no money to do these services.

By making these cuts, it has to be really understood that the lights are going out in certain parts of our country. The ability of certain parts of our regions to speak to one another is being turned off.

I was at an event in the little community of Kennebec, Ontario, on highway 65 west. An elderly woman came up to me and said, “If these cuts go ahead at CBC Sudbury, how will we speak to each other?” In that part of northern Ontario, the one unifying voice is the CBC link, so the cuts that are happening are profound and cannot be underestimated.

Let us talk about how we got here. CBC is the most underfunded public broadcaster in the world. When we look at the motion of my colleague from the Liberals, we will certainly be supporting the motion, but we need to address the elephant in the room, that bridge financing alone would not have gotten us out of this problem.

Bridge financing and a government that was willing to work would have helped address the immediate problems in the crisis. However, it would not have addressed the overall systemic problem we are facing, and that is years of underfunding, years of respective governments undermining our public broadcaster to the point that we were at the tipping point with this recent crisis. My colleague said that bridge financing would maintain 2008 staffing and service levels. I wish that were true. If the government had been willing to work with the CBC early on, we might have addressed many of the job losses.

It has to be pointed out that if we go back 10, 12, 14 years and look at the government's response to the obligations to a public broadcaster, it has been to undermine it. It has been to ridicule it. It has been to make it come and beg every March for the $60 million extra appropriation, and the government leaves the public broadcaster dangling and does not tell it until the very last minute. It is a situation that no other public broadcaster would ever face. It has undermined the ability of the public broadcaster to do its job.

Even with the years of underfunding and the lack of commitment toward the role of the public broadcaster, Parliament, the heritage committee, Canadians in general have asked more and more from our public broadcaster. In response we have CBC TV, Radio-Canada, Newsworld, Radio 1, 2, and now 3, RDI, and Première Chaîne Radio. We have a network that is on in five and a half time zones with eight aboriginal language services. That is outreach no other public broadcaster in the world would have to face. BBC plays to one time zone with one English market. It is much more concentrated than what CBC is having to face.

Yet even with all these challenges, we see that in the last few years, English language television now has the number two market share in the country on the 8 to 11 spot at night. All-Canadian fare is beating the all-American lineup on Global. Radio-Canada television is seeing a market share of almost 20% in prime time and it is continuing to increase. CBC radio services are enjoying historic highs, almost 20% for Radio-Canada in each market, 14.1% for CBC radio. With respect to the CBC website, we have called for CBC to get involved online and now it is getting four million hits a month. Two million podcasts are being downloaded every month. The online CBC.ca program has a quarter of a million members.

As Hubert Lacroix, the president of CBC, said, if we go back 40 years, we will not find an example of a public broadcaster being this successful. It has been successful, despite the fact that it has been doing it on a shoestring. It has met all the requirements that parliamentarians, politicians and the audience have pushed on it. Not only that, but when I was on the heritage committee, it would be regular to say that we wanted a new plan for expanding television or for expanding radio, but there was never a commitment at the government level that addressed the fundamental problem which is the underfunding.

When we look at the recommendations that were brought forward by an all-party committee in order to address the CBC, if the government had accepted the recommendations that were offered to it by the heritage committee, we would not be in this situation now.

There were numerous recommendations in terms of the mandate and how to ensure accountability at CBC, but there were a couple of key benchmarks that needed to be met. One was the ratification of a seven year memorandum of understanding between the Government of Canada and CBC that would set out the respective responsibilities and obligations. That seven year memorandum of understanding would allow the corporation to note clearly what Parliament expected in terms of its regional services, its commitments to the arts, its commitments to official languages, and then it would have the financial appropriations to be able to do its planning over seven years. The Conservative government never accepted that motion.

One of the other motions was that we have multi-year funding and that the one-time funding of $60 million, which comes at the end of every March, and the minister has just announced it, would actually be added to its permanent core funding so it would not have to come and beg and it could actually make the planning.

Recommendation 4.4 I think was the key one, that after consultation with broadcasters, consultation with experts, we settled on the figure that we need to move the core funding to $40 per capita. It did not have to be done in one year, but that was the benchmark we needed to move toward.

Funding of $40 per capita is still much lower than the funding that is offered to public broadcasters anywhere else in the world. To get from $34 per capita to $40 per capita over a three- or four-year timeline would give us the resources to put CBC in the position where we want it. We did not get that from the government. We have seen a rather cynical approach to an institution that the government has been very ambivalent about. Many of the government members have ridiculed CBC. Many of them have said that they oppose the public broadcaster; they think the private sector would do it better. Yet, they have watched this public broadcaster try to bend itself in circles in order to address the competing mandates of the government.

One of the arguments always is that it should compete with the private sector, go more to the private sector. Our public broadcaster is becoming increasingly dependent on advertising revenues and when it is completely dependent on advertising revenues, the Conservatives ask, “Why does it need to be a public broadcaster? It is acting like a private sector broadcaster. Why does it not do what a public broadcaster should do?”

The CBC is caught in a television simulcast war against the U.S. giants, in which we are actually doing very well, thanks very much. It is the unwillingness of the government to set a clear course.

What would $40 per capita mean? If we could move CBC television out of the advertising game wars, that money would be freed up for the private sector. That would be one way of helping to address the crisis. CBC television would be able to provide Canadian content all the time. There has been much ballyhoo about the fact that it had to buy a few American shows like Jeopardy and Wheel of Fortune and I am certainly not interested in watching Vanna White on the CBC, but I recognize it is having to buy programs because it cannot afford to make programs on a limited budget. There is no commitment from the government to make it possible.

If we had moved up the appropriations to $40 per capita, and we did that over a number of years and we set in place the other all-party recommendations, we could get CBC where it needs to be, which is to play a role that no other broadcaster in this country plays. That role is to make it possible for regions to speak to one another and to understand one another. It could let the young writers from Acadie be heard in other parts of the country, in order to allow a discourse about ideas and culture that is simply not available from the private broadcasters.

At this point we are looking at a government which has sat back and allowed a unique and proud institution to start to crumble because of the government's unwillingness to provide the bridge financing and its unwillingness to commit to a long-term vision. We are at the point where, because of all the cuts that have come before, because of what is happening now, if any further downturn happens, the future viability of this public institution and public commitment will be so challenged we are going to have to talk about the potential death of the CBC in certain parts of this country. It is having to sell off its assets. It has to be dependent on the minister to support it in those sales. Those assets are being sold at a time of market collapse. If it does not get the value for them, then more cuts are coming; that is the reality. I am not really clear where else we can cut at this point in terms of the loss of regional programming, the loss of what we are seeing in terms of the television market.

This is a debate I am very sorry we are having in the House today, but as members of Parliament we need to stand and say that we do believe in a revitalized commitment to a full and strong public broadcaster. That commitment has to be made. The cuts that are starting to affect our regions and our television and radio services are not acceptable, because once those things are gone, there will be no replacing them. The private sector is not moving in to deal with the losses we are seeing at the CBC.

We need a strong public broadcaster. We need to send a message from Parliament that we commit to CBC, we want to rebuild CBC and we want to make CBC the broadcaster for the 21st century that it should be.

Artists March 27th, 2009

Madam Speaker, I am very proud to rise in the House today on behalf of the New Democratic Party to support my colleague's Motion No. 297, to increase the annual budget of the Canada Council to $300 million and to call on the government to roll back the cuts that were announced this past summer to the arts promotion program, trade routes, the national training program for film and video sector, the new media research network fund, the Canadian independent film and video fund, the Canadian feature film fund and the Canadian music memories program.

I have had the great privilege in my life to tour from one end of this country to the other as an artist and to be involved in many wonderful festivals. I learned two really important lessons doing that. One is that Canada may seem like an immense country, but it is actually very small. Wherever one travels across this country, the audiences are surprisingly like one town spread across vast distances. The other element is how difficult it is to mount tours. In western Canada, one is travelling 12 hours between stops. That presents enormous challenges to a country like Canada and it is unmatched by almost any other country in the world.

I spent many years working with the Ontario Arts Council studying touring grants and working on them to get programs out there. I can say that for the very few seed dollars that come from the federal or provincial government to arts organizations, theatre, music and dance, those dollars create so much more in terms of in-kind and matching contributions and developing a creative economy. I say that because I think many in the arts community across this country were stunned last summer when about the only move the government made during a very quiet summer was to cut some key programs. The two that often come to mind are the cuts to the PromArt program and trade routes, which were programs specifically designed to build international audiences and an arts industry internationally.

When the government was asked about why these programs were cut, the response from the Prime Minister was absolutely staggering. With a level of personal vitriol against the arts which I think shocked even people who have known the government's opposition to culture, he accused the arts organizations in this country of being some kind of schmooze fest for rich people at the taxpayers' expense. That showed the deep anger his government has toward arts organizations. It also showed an incredible misunderstanding of how the creative economy actually works in this country. I would like to provide an example.

La La La Human Steps in Montreal began back in 1980 with a first show that had maybe 75 people in attendance. It was a very small seed organization. Twenty-nine years later it is a touring company that is travelling around the world. On its initial tour, the group went to New York City and returned to Montreal. Now it is touring up to two years at a time. On its tour the group plays before audiences of 140,000. It shows how much the small investment made in that theatre at that time has grown. This is a group that is dependent on international markets because the market in Canada is not enough.

If one is going to have successful arts organizations in this country, one builds a show that can tour for a while in Canada. However, that international organization is needed in order to develop. It is about building relationships and making investments and long-term planning. For one of its tours, La La La Human Steps will plan two or three years in advance. This is the kind of commitment that is made.

At the international level, Canada has developed this reputation because of the reciprocal nature of building these relations. However, it is also building an industry. It is taking what would have been a small theatre production and turning it into something that can actually create a sustainable industry. For example, one of the dancers in that company now earns 10 times the budget for that company back in 1980. That shows the results of the investment.

When the government arbitrarily cut the programs, we were faced with a disastrous situation where suddenly, years of tour planning were put in jeopardy. Mr. Martin Faucher, the president of the Conseil québécois du théâtre, said that these cuts will be “a disaster for the international development of Quebec theatre”.

Alain Paré of the International Exchange for the Performing Arts said that the results were, and he used the word “disastrous”. In particular, for 61 professional companies 327 tours have been compromised, 3,395 shows affected, and over $25 million lost.

That is the immense, long-tail loss from shortsighted, short-term ideological positions taken by the government. Contrary to the Prime Minister's claim that this was some kind of massive tax subsidy for galas, what these programs would do is pay the air fare. That is it. It would pay the air fare for the artist to get to Europe, pay for the equipment to get over there. From there on in everything that happens internationally in Europe or anywhere else in the world is carried out by the theatre through its relations. So for a little bit of investment at the federal level, we have an amazing response economically and we also have a development.

Now we are in a strange position where Canada is being looked at as some kind of cultural backwater because we are the only country in the western world that has pulled out the support for these tours. There is nothing to replace it.

The government, because it has taken hits recently and it knows that its colour is starting to show, is starting to say there is money in Canada Council, here, there, but if we look at the numbers carefully it does not add up. The numbers that are in the Canada Council do not come close to dealing with what was lost in terms of the government's attack on the export markets that they had through Promart and Trade Routes.

The government had an opportunity to explain to Canadians why these cuts were made if they were not just done for ideological reasons. There could have been a reason. Maybe these programs were inefficient, maybe they were wasteful.

We held hearings at the heritage committee and we gave the government full opportunity to come forward and explain why it was necessary to cut these programs. It was quite shocking and I think very disrespectful to the committee that the minister's staff refused to show us any documents that were anything less than six years old.

They had to dust off these old reviews of these programs, and when we looked at these old reviews they were all very positive, but surely to God there had to be some reviews in the last six years that might show some warning signs that maybe there was a problem with these programs. They refused.

When we asked them why they would not show us any documentation or any proof that these programs were inefficient, for a six year period, the minister's staff said that telling us anything about this would be a violation of cabinet secrecy, that these secrets were somehow, she used the word, “sacrosanct”.

I was actually astounded by that word because some of those reports were already available online. We could look at the 2007 review. They refused to show it to our committee but it could be seen online. The 2007 review of the Trade Routes program showed that it was an excellent program and it had very strong results. In fact, the various reports and studies that were done by the International Exchange for the Performing Arts found excellent responses for these programs.

At the end of the day we are left with a very clear picture of a government that attacked some key arts funding that was more based on developing arts as an industry and arts as an international export. These cuts came because of ideological reasons. That is the only reason we can seem to find.

The government always seems to find it very touchy when we use the word “ideological”, but these were two cuts happening in two different departments at the same time, both of them focused on international arts development.

I have to ask, can we imagine any government anywhere in the world that is not interested in actually creating a sustainable export business for its arts? How could a government think that is a waste of money? How could a government see that having a strong international development for arts organizations, for books, for movies, for music, for theatre would somehow be against a ruling party ideology? It is absolutely staggering.

If we look to our neighbours in the United States, their trade missions and trade departments promote Hollywood, promote their industries, almost with a brass knuckles furor. We see that Europe is more than willing to invest in arts to ensure that arts are funded. The development of any creative economy in any city in the western world is focused on the viability of its arts sector.

In Canada, for years, we have struggled with some of the most anemic funding imaginable and even with that, we have had such great success with our arts. However, the government made the decision to attack these programs without being able to provide any viable explanation for their loss, any possible replacement value for having taken this money out.

As I said earlier, we are seeing the loss of millions of dollars in investments, the damaging of thousands of shows and tours all across North America and the world that have been carefully planned out for the last number of years. They have had the rug pulled out from under them.

In conclusion, the New Democratic Party will be supporting this motion. We are calling the government to task for its failure to support the arts and for its attack on our international reputation in terms of artistic development.

Controlled Drugs and Substances Act March 27th, 2009

Madam Speaker, right now the major drug problem in my region is OxyContin. OxyContin abuse has caused deaths across Ontario. Some 460 deaths have been directly ascribed, not counting many more that were probably indirectly related to OxyContin.

I am involved in the OxyContin task force in Timmins and Kirkland Lake. If one talks to police and community organizations, police are having to take on roles as social workers because there are no treatment programs in place. An enormous amount of police energy is spent dealing with many people who became addicted. Many people went in to get a doctor's prescription and were not told they were being given a form of morphine. A large number of addictions have occurred as a result of people who legitimately went to their doctor with a problem and ended up with a serious addiction.

I have spoken with those families. I know many Conservatives in the backbenches snicker, but I have talked to these people whose lives have been ruined. When they are stuck and end up on the street, they end up becoming a police problem. The police say to us that this is a medical problem and they need resources in dealing with drugs to help people. For them it is not an issue of crime, but of protecting these people.

It is not just in my region, but right across Ontario. Drugs like OxyContin are the main problem.

The government's response is that someone with a pot plant is going to get a minimum sentence. It seems to me that the government is completely missing the boat in terms of public safety and health, and providing resources to health workers and police who need them. I would like the hon. member to comment.

Taxation March 27th, 2009

Mr. Speaker, I am sure those kinds of one-liners might work at Reform Party barbecues, but the reality is the government paid $4.3 billion to Dalton McGuinty to harmonize the tax. It is involved.

What is the hit? Eight per cent more for gasoline, 8% more for home heating, 8% more for electricity.

This might not bother the Conservatives, but it is going to hit the bottom line of every working family during the worst economic downturn since the Depression.

How can the government justify aiding Dalton McGuinty's tax grab against Ontario's citizens?

Taxation March 27th, 2009

Mr. Speaker, the indifference of the Conservative government to the crisis that is facing Ontario's middle class is absolutely staggering.

Some 150,000 people have been thrown out of work and they are not getting EI. People who paid their bills on their houses are losing them.

How did the government set out to help Ontario? It paid Dalton McGuinty to harmonize a tax squeeze that is going to hit every Ontario family.

Who exactly is going to benefit from this tax squeeze on the bottom lines of Ontario families?

Canadian Broadcasting Corporation March 26th, 2009

Mr. Speaker, we are now seeing crippling losses at CBC in Windsor, Sudbury and Thunder Bay.

While we are talking about pink slips, he should be giving them to the Conservative MPs from Quebec who will pay for his decision to blow 260 jobs yesterday in Montreal alone. These job losses were completely avoidable. All it required was his signature so that they could get a bank loan or bridge financing, and it would not have cost the taxpayer a money.

Why did the minister put an ideological vendetta ahead of the public interest of Canada?