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Industry committee  Actually, it has not been addressed, period. Right now, the way it works is that screenwriters and directors, in the only court case that has ever been brought forward, are considered authors of the audiovisual work. It's actually a problem for you and for copyright holders, because authorship is tied to the life of the author.

June 19th, 2018Committee meeting

Maureen Parker

Industry committee  I'll say just quickly that screenwriters do live in your communities. They're creators. They do pay taxes. They support families. They need revenue and income to do so. Currently, there are different modes of compensation. Yes, we bargain collectively, but collective bargaining does not cover such things as secondary use.

June 19th, 2018Committee meeting

Maureen Parker

Industry committee  I don't agree because it's actually an incorrect premise.

June 19th, 2018Committee meeting

Maureen Parker

Industry committee  That is a writer. That was not Mr. Stohn. That was created by a writer.

June 19th, 2018Committee meeting

Maureen Parker

Industry committee  That's right, and that writer therefore was the author of that episode. It is a collaborative business—

June 19th, 2018Committee meeting

Maureen Parker

Industry committee  Sure. We build on series in—

June 19th, 2018Committee meeting

Maureen Parker

Industry committee  May I say that it's a very big business model? Right now, we do have screenwriters who are the ones who develop script material, who create characters, and who've created the setting. In an ongoing series like a Degrassi, yes, obviously there are pre-existing concepts and pre-existing settings, but those are created and worked with in an individual script.

June 19th, 2018Committee meeting

Maureen Parker

Industry committee  Right, and that would be the writer of the first script.

June 19th, 2018Committee meeting

Maureen Parker

Industry committee  There are character royalties. You'd pay certain royalties, etc. The problem with not defining authorship—

June 19th, 2018Committee meeting

Maureen Parker

Industry committee  Television doesn't work that way. There were probably maybe 50 screenwriters, or maybe 30. Companies go back to the same writers. They use story departments.

June 19th, 2018Committee meeting

Maureen Parker

Industry committee  Okay. To your point that there are multiples, absolutely, because there are multiple creators, but each episode is a copyrighted work in and of itself. When Mr. Stohn or a producer like him sells a series, he is selling a group of episodes that are individually copyrighted. When you talk about piracy, you're talking about each individual episode, which may be seen without any compensation.

June 19th, 2018Committee meeting

Maureen Parker

Industry committee  That's correct.

June 19th, 2018Committee meeting

Maureen Parker

Industry committee  No, we're not expanding it. The current business model—and I cited that in my presentation—and in the only court case that has ever been heard on the topic, the screenwriter and director are the authors. It is the producers who are coming in from a different place.

June 19th, 2018Committee meeting

Maureen Parker

Industry committee  Thank you.

June 19th, 2018Committee meeting

Maureen Parker

Industry committee  Can I address the end of that question, please?

June 19th, 2018Committee meeting

Maureen Parker