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Bill C-32 (40th Parliament, 3rd Session) committee  Yes. The clauses are 3, 9 and 11. The distribution right is dealt with in clause 4; the reproduction right for performers is in clause 9; the increased term of protection for sound recordings is in clause 17; moral rights for performers are in clause 10 and protection of digital

November 25th, 2010Committee meeting

Jean-Pierre Blais

Bill C-32 (40th Parliament, 3rd Session) committee  That's why I was saying that, sometimes, new artists and creators develop content within that environment. For them, it is a benefit. I understand your viewpoint, which is that for some artists this could be seen as a loss--

November 25th, 2010Committee meeting

Jean-Pierre Blais

Bill C-32 (40th Parliament, 3rd Session) committee  First of all, Ms. Lavallée--

November 25th, 2010Committee meeting

Jean-Pierre Blais

Bill C-32 (40th Parliament, 3rd Session) committee  The bill does not define what education is. It relies on a case law that has, in various contexts, defined that. The bill does not define education per se. I am aware that some stakeholders who will appear will raise issues related to that, and we're interested in seeing what th

November 25th, 2010Committee meeting

Jean-Pierre Blais

Bill C-32 (40th Parliament, 3rd Session) committee  We could have a lengthy debate about the difference between the terms “droit d'auteur” and “copyright”. I--

November 25th, 2010Committee meeting

Jean-Pierre Blais

Bill C-32 (40th Parliament, 3rd Session) committee  You correctly described the intent behind it. The drafting of a provision like this involves a lot of lawyers. If you wish to improve the drafting of it to get to the policy intent...it is the intent to do it. But it's hard for us to react without seeing specific language and wha

November 25th, 2010Committee meeting

Jean-Pierre Blais

Bill C-32 (40th Parliament, 3rd Session) committee  The provisions with respect to time sharing and format sharing provide that you can't otherwise break or circumvent a TPM. However, one has to remember that what I was referring to in clause 47, which deals with TPMs, is quite a long provision, and people focus a lot on the locks

November 25th, 2010Committee meeting

Jean-Pierre Blais

Bill C-32 (40th Parliament, 3rd Session) committee  In the bill, as drafted, the answer is yes.

November 25th, 2010Committee meeting

Jean-Pierre Blais

Bill C-32 (40th Parliament, 3rd Session) committee  While there may be differences, as a result of international treaties, the main schools of thought tend to agree now. Even in countries that apply copyright, more rights are now part of the standards. In terms of the specific benefits the bill would have for creators, there is

November 25th, 2010Committee meeting

Jean-Pierre Blais

November 25th, 2010Committee meeting

Jean-Pierre Blais

November 25th, 2010Committee meeting

Jean-Pierre Blais

Bill C-32 (40th Parliament, 3rd Session) committee  This enabling provision is quite unique. It may be the first one in the world ever proposed. It has garnered a lot of interest around the world. It's actually targeting the bad guys, those who are doing the enabling and allowing peer-to-peer networks to operate to the detriment o

November 25th, 2010Committee meeting

Jean-Pierre Blais

Bill C-32 (40th Parliament, 3rd Session) committee  There's only one government position.

November 25th, 2010Committee meeting

Jean-Pierre Blais

Bill C-32 (40th Parliament, 3rd Session) committee  I was mentioning the related clauses. The deck is not comprehensive; it is only meant to support my presentation. Is that all right?

November 25th, 2010Committee meeting

Jean-Pierre Blais

Bill C-32 (40th Parliament, 3rd Session) committee  I'm moving on now to page 5. This bill helps those who create content to protect their works. If you want to write down the clause number, clause 18, it provides new provisions to target online enablers. At clause 47, there is the “notice and notice” regime to ensure ISPs wil

November 25th, 2010Committee meeting

Jean-Pierre Blais