Bill C-32 (40th Parliament, 3rd Session) committee  In the United States, I believe they're paid at origin. In any case, the producer is the complete owner of the work. Am I mistaken?

Bill C-32 (40th Parliament, 3rd Session) committee  I admit I don't know much about this question.

Bill C-32 (40th Parliament, 3rd Session) committee  The director will go up on stage, but there are two things. In the United States, when a film wins an Oscar for best film, it's the producer or producers who climb up on stage as the film's producers. However, the author as such, the person who created the work, is the director.

Bill C-32 (40th Parliament, 3rd Session) committee  They don't want to consider who is at the origin of the work. If, for example, we say that a program has a writer, a director and a sound director, someone nevertheless designed it at the outset. The person who conceived the program, the person who designed the program could perh

Bill C-32 (40th Parliament, 3rd Session) committee  In continental Europe, a region we refer to because the people there are closer to our culture, various arrangements have been made by each country. These are essentially arrangements. Unless I'm mistaken, there's no act that states that a certain class of persons are necessaril

Bill C-32 (40th Parliament, 3rd Session) committee  That's the case for Cornemuse, yes, among others. I don't believe Passe-Partout is still being broadcast, but Cornemuse has been broadcast on TF1.

Bill C-32 (40th Parliament, 3rd Session) committee  I have received royalties for—

Bill C-32 (40th Parliament, 3rd Session) committee  From France, yes.

Bill C-32 (40th Parliament, 3rd Session) committee  As it appears here, it's zero.

Bill C-32 (40th Parliament, 3rd Session) committee  No, it's zero.

Bill C-32 (40th Parliament, 3rd Session) committee  Our list doesn't contain those details. Parody is like a citation. A citation is a citation. What we object to is the use of a work and its transformation without the payment of royalties. A parody generally identifies the work to which it refers.

Bill C-32 (40th Parliament, 3rd Session) committee  That's it. To refuse to allow our material to be put on YouTube, but first to recognize the origin of the original work and then to pay the licences.

Bill C-32 (40th Parliament, 3rd Session) committee  We pay for education. Teachers are paid and the people who write school text books are paid. The people who make education tools have to be paid for their work. However, I don't mind that there are special tariffs to promote education, but the authors must not be made to go hungr

Bill C-32 (40th Parliament, 3rd Session) committee  In our opinion, the authors are, first of all, people. Moreover, the act states that they are persons, not organizations. They are persons who create the document. In our opinion, the two main authors are the director and the screenwriter. Our view is entirely the same as that of

Bill C-32 (40th Parliament, 3rd Session) committee  Mr. Chair, members of Parliament, allow me to begin by pointing out that Denis Villeneuve, whose name has been frequently mentioned this morning, the director of the film Incendies, who was recently nominated for an Oscar, is an active member of our association, as are Denys Arca