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Industry committee  No, I decline.

May 10th, 2018Committee meeting

Alexis Kinloch

Industry committee  Yes. What has been proposed, with extensive administrative possibility and work done behind it, is 5% for the artist. In the example of Kenojuak Ashevak, after the $58,000 resale, the artist would have received $3,000 on top of the $24 she got for the original. That 5% is what

May 10th, 2018Committee meeting

Alexis Kinloch

Industry committee  Let's see....

May 10th, 2018Committee meeting

Alexis Kinloch

Industry committee  About visual artists on fair use, I don't have personal examples. I'm sorry, I'm bad at thinking on the spot like this, but an example that you could potentially look at, which goes to your use of the terms “passion” versus “industry”, is that of an artist on the the east coast

May 10th, 2018Committee meeting

Alexis Kinloch

Industry committee  If the issue of fair use doesn't get solved...?

May 10th, 2018Committee meeting

Alexis Kinloch

Industry committee  With that 66% decline in payments to visual artists by Access Copyright between 2013 and 2017—a 66% decline in five years for visual artists—doesn't it just go to their not getting paid at all? I do think that we're in danger of that. I don't think it's out of the question that t

May 10th, 2018Committee meeting

Alexis Kinloch

May 10th, 2018Committee meeting

Alexis Kinloch

Industry committee  What's the point of knowing the end result of the worst thing that could happen to artists? Do we have to speak about it in those terms? Can't we just support the fact that artists should have more space and be given more respect, rather than saying, “If we don't, then maybe they

May 10th, 2018Committee meeting

Alexis Kinloch

Industry committee  Since you asked if it was something outside of possibly copyright, I would suggest more funding for artists in the first place so that they don't have to be working a bunch of other jobs and can maybe be more informed and spend more time being aware of their rights and protecting

May 10th, 2018Committee meeting

Alexis Kinloch

Industry committee  I don't know the details of that, particularly. The Winnipeg Arts Council doesn't deal with copyright on a day-to-day basis. As we both stated, we support the upholding of the artist, their knowledge, and their leadership in this, so we support CARFAC as a group of artists who ha

May 10th, 2018Committee meeting

Alexis Kinloch

Industry committee  I believe it works in the same way. Visual artists whose work is copied from textbooks also lose out on those payments because it's no longer required in people's eyes because of the change in the 2012 amendments. So I would say that it's very similar. There was no difference.

May 10th, 2018Committee meeting

Alexis Kinloch

Industry committee  I was trying to get in a lot of information in a short time.

May 10th, 2018Committee meeting

Alexis Kinloch

Industry committee  I am Alexis Kinloch, and I am an employee of the Winnipeg Arts Council. I'd like to acknowledge that we're on the original lands of the Anishinaabek, Cree, Oji-Cree, Dakota, and Dene peoples, and on the homeland of the Métis Nation. It's crucial that the government work closel

May 10th, 2018Committee meeting

Alexis Kinloch