Industry committee  I have sort of accepted that digital is inevitable whether I like it or not. I can sort of as an environmentalist appreciate the fact that we don't cut as many trees down when we do things digitally. But digital also makes it easier to steal things. The good news is that digital

Industry committee  Yes, I will continue with print.

Industry committee  Yes. I mean, let's face it, we had a licensing system in place before that was working. People may have disagreed about percentages, but still, it was working to some extent. Am I right? He's been at this a lot longer than I have, and has far more background. From a writer's

Industry committee  I don't have details on that, because I worked at CBC in-house or on contract for about 20 years, and then got mad and quit one day. After that, I was an independent filmmaker for another 20 years. My income for the last 20 years has all been mixed up in trying to put together mo

Industry committee  Absolutely, and it still goes back to the concept of the ethics of the thing. When people say it's too hard to keep track of all of these things—thousands of things get written in magazine articles; things get published; and if it's a hot topic, an instructor might need that on s

Industry committee  Unfortunately, I can't give you a number on that. My wife runs the company, so I don't really know.

Industry committee  I've only collected royalties from this for a couple of years. It took me a while to learn that Access Copyright even existed. The short answer is that I don't know the answer to that, but I think Ms. Brooks' answer would be the same. I have received a few thousand dollars from

Industry committee  Thank you. I am the author of a book about earthquakes published by HarperCollins. I have written for Reader's Digest, Equinox, Vancouver Magazine, and The Globe and Mail. I've made documentaries for CBC, CTV, Global, Discovery, etc. I'm also a member of the Federation of BC Wri