Copyright Modernization Act

An Act to amend the Copyright Act

This bill was last introduced in the 41st Parliament, 1st Session, which ended in September 2013.

Sponsor

Christian Paradis  Conservative

Status

This bill has received Royal Assent and is now law.

Summary

This is from the published bill. The Library of Parliament often publishes better independent summaries.

This enactment amends the Copyright Act to
(a) update the rights and protections of copyright owners to better address the challenges and opportunities of the Internet, so as to be in line with international standards;
(b) clarify Internet service providers’ liability and make the enabling of online copyright infringement itself an infringement of copyright;
(c) permit businesses, educators and libraries to make greater use of copyright material in digital form;
(d) allow educators and students to make greater use of copyright material;
(e) permit certain uses of copyright material by consumers;
(f) give photographers the same rights as other creators;
(g) ensure that it remains technologically neutral; and
(h) mandate its review by Parliament every five years.

Elsewhere

All sorts of information on this bill is available at LEGISinfo, an excellent resource from the Library of Parliament. You can also read the full text of the bill.

Votes

June 18, 2012 Passed That the Bill be now read a third time and do pass.
May 15, 2012 Passed That Bill C-11, An Act to amend the Copyright Act, as amended, be concurred in at report stage with further amendments.
May 15, 2012 Failed That Bill C-11, in Clause 47, be amended by adding after line 15 on page 54 the following: “(3) The Board may, on application, make an order ( a) excluding from the application of section 41.1 a technological protection measure that protects a work, a performer’s performance fixed in a sound recording or a sound recording, or classes of them, or any class of such technological protection measures, having regard to the factors set out in paragraph (2)(a); or ( b) requiring the owner of the copyright in a work, a performer’s performance fixed in a sound recording or a sound recording that is protected by a technological protection measure to provide access to the work, performer’s performance fixed in a sound recording or sound recording to persons who are entitled to the benefit of any limitation on the application of paragraph 41.1(1)(a). (4) Any order made under subsection (3) shall remain in effect for a period of five years unless ( a) the Governor in Council makes regulations varying the term of the order; or ( b) the Board, on application, orders the renewal of the order for an additional five years.”
May 15, 2012 Failed That Bill C-11, in Clause 47, be amended by replacing line 11 on page 52 with the following: “(2) Paragraph 41.1(1)( b) does not”
May 15, 2012 Failed That Bill C-11, in Clause 47, be amended by replacing line 25 on page 51 with the following: “(2) Paragraph 41.1(1)( b) does not”
May 15, 2012 Failed That Bill C-11, in Clause 47, be amended by deleting lines 1 to 7 on page 51.
May 15, 2012 Failed That Bill C-11, in Clause 47, be amended by deleting lines 24 to 33 on page 50.
May 15, 2012 Failed That Bill C-11, in Clause 47, be amended by deleting line 37 on page 49 to line 3 on page 50.
May 15, 2012 Failed That Bill C-11, in Clause 47, be amended by deleting lines 17 to 29 on page 48.
May 15, 2012 Failed That Bill C-11, in Clause 47, be amended by deleting lines 38 to 44 on page 47.
May 15, 2012 Failed That Bill C-11, in Clause 47, be amended by adding after line 26 on page 47 the following: “(5) Paragraph (1)( a) does not apply to a qualified person who circumvents a technological protection measure on behalf of another person who is lawfully entitled to circumvent that technological protection measure. (6) Paragraphs (1)( b) and (c) do not apply to a person who provides a service to a qualified person or who manufactures, imports or provides a technology, device or component, for the purposes of enabling a qualified person to circumvent a technological protection measure in accordance with this Act. (7) A qualified person may only circumvent a technological protection measure under subsection (5) if ( a) the work or other subject-matter to which the technological protection measure is applied is not an infringing copy; and ( b) the qualified person informs the person on whose behalf the technological protection measure is circumvented that the work or other subject-matter is to be used solely for non-infringing purposes. (8) The Governor in Council may, for the purposes of this section, make regulations ( a) defining “qualified person”; ( b) prescribing the information to be recorded about any action taken under subsection (5) or (6) and the manner and form in which the information is to be kept; and ( c) prescribing the manner and form in which the conditions set out in subsection (7) are to be met.”
May 15, 2012 Failed That Bill C-11, in Clause 47, be amended by adding after line 26 on page 47 the following: “41.101 (1) No one shall apply, or cause to be applied, a technological protection measure to a work or other subject-matter that is intended to be offered for use by members of the public by sale, rental or otherwise unless the work or other subject-matter is accompanied by a clearly visible notice indicating ( a) that a technological protection measure has been applied to the work; and ( b) the capabilities, compatibilities and limitations imposed by the technological protection measure, including, where applicable, but without limitation (i) any requirement that particular software must be installed, either automatically or with the user's consent, in order to access or use the work or other subject-matter, (ii) any requirement for authentication or authorization via a network service in order to access or use the work or other subject-matter, (iii) any known incompatibility with ordinary consumer devices that would reasonably be expected to operate with the work or other subject-matter, and (iv) any limits imposed by the technological protection measure on the ability to make use of the rights granted under section 29, 29.1, 29.2, 29.21, 29.22, 29.23 or 29.24; and ( c) contact information for technical support or consumer inquiries in relation to the technological protection measure. (2) The Governor in Council may make regulations prescribing the form and content of the notice referred to in subsection (1).”
May 15, 2012 Failed That Bill C-11, in Clause 47, be amended by adding after line 26 on page 47 the following: “41.101 (1) Paragraph 41.1(1)( a) does not apply to a person who has lawful authority to care for or supervise a minor and who circumvents a technological protection measure for the purpose of protecting the minor if ( a) the copy of the work or other subject-matter with regard to which the technological protection measure is applied is not an infringing copy; and ( b) the person has lawfully obtained the work, the performer’s performance fixed in a sound recording or the sound recording that is protected by the technological protection measure. (2) Paragraphs 41.1(1)( b) and (c) do not apply to a person who provides a service to a person referred to in subsection (1) or who manufactures, imports or provides a technology, device or component, for the purposes of enabling anyone to circumvent a technological protection measure in accordance with subsection (1). (3) A person acting in the circumstances referred to in subsection (1) is not entitled to benefit from the exception under that subsection if the person does an act that constitutes an infringement of copyright or contravenes any Act of Parliament or of the legislature of a province.”
May 15, 2012 Failed That Bill C-11, in Clause 47, be amended by deleting lines 21 to 40 on page 46.
May 15, 2012 Failed That Bill C-11, in Clause 47, be amended by replacing line 25 on page 45 with the following: “measure for the purpose of an act that is an infringement of the copyright in the protected work.”
May 15, 2012 Failed That Bill C-11, in Clause 22, be amended by deleting lines 30 to 34 on page 20.
May 15, 2012 Failed That Bill C-11, in Clause 22, be amended by deleting lines 33 to 37 on page 19.
May 15, 2012 Failed That Bill C-11 be amended by deleting Clause 62.
May 15, 2012 Failed That Bill C-11 be amended by deleting Clause 49.
May 15, 2012 Failed That Bill C-11, in Clause 27, be amended by deleting line 42 on page 23 to line 3 on page 24.
May 15, 2012 Failed That Bill C-11, in Clause 27, be amended by replacing lines 23 to 29 on page 23 with the following: “paragraph (3)( a) to reproduce the lesson for non-infringing purposes.”
May 15, 2012 Failed That Bill C-11, in Clause 21, be amended by adding after line 13 on page 17 the following: “(2) The Governor in Council may make regulations defining “education” for the purposes of subsection (1).”
May 15, 2012 Failed That Bill C-11 be amended by deleting Clause 2.
May 15, 2012 Failed That Bill C-11 be amended by deleting Clause 1.
May 15, 2012 Passed That, in relation to Bill C-11, An Act to amend the Copyright Act, not more than one further sitting day shall be allotted to the consideration at report stage of the Bill and one sitting day shall be allotted to the consideration at third reading stage of the said Bill; and That, 15 minutes before the expiry of the time provided for Government Orders on the day allotted to the consideration at report stage and on the day allotted to the consideration at third reading stage of the said Bill, any proceedings before the House shall be interrupted, if required for the purpose of this Order, and in turn every question necessary for the disposal of the stage of the Bill then under consideration shall be put forthwith and successively without further debate or amendment.
Feb. 13, 2012 Passed That the Bill be now read a second time and referred to a legislative committee.
Feb. 13, 2012 Passed That this question be now put.
Feb. 8, 2012 Passed That, in relation to Bill C-11, An Act to amend the Copyright Act, not more than two further sitting days shall be allotted to the consideration at second reading stage of the Bill; and that, 15 minutes before the expiry of the time provided for Government Orders on the second day allotted to the consideration at second reading stage of the said Bill, any proceedings before the House shall be interrupted, if required for the purpose of this Order, and, in turn, every question necessary for the disposal of the said stage of the Bill shall be put forthwith and successively, without further debate or amendment.
Nov. 28, 2011 Failed That the motion be amended by deleting all the words after the word “That” and substituting the following: “the House decline to give second reading to Bill C-11, An Act to amend the Copyright Act, because it fails to: ( a) uphold the rights of consumers to choose how to enjoy the content that they purchase through overly-restrictive digital lock provisions; (b) include a clear and strict test for “fair dealing” for education purposes; and (c) provide any transitional funding to help artists adapt to the loss of revenue streams that the Bill would cause”.

Copyright Modernization ActGovernment Orders

November 24th, 2011 / 3:50 p.m.


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NDP

Andrew Cash NDP Davenport, ON

Mr. Speaker, as many people know--and if they do not, it bears being reiterated here in the House--most Canadian artists' wages are below the poverty line, below $13,000 a year. It is incumbent on us as policy-makers to fashion policy that is going to support innovation and allow for the building of a greater middle class of Canadian artists. This sector is a major economic driver in our economy, but the copyright bill as it stands right now would take $20 million a year out of the pockets of artists because of the changes in the broadcast mechanical provisions. Would my hon. colleague care to comment on the effects of this kind of policy for our Canadian artists?

Copyright Modernization ActGovernment Orders

November 24th, 2011 / 3:55 p.m.


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NDP

Charlie Angus NDP Timmins—James Bay, ON

Mr. Speaker, my hon. colleague and I have shared many royalty payments together over the years. He will know, as I do, that the greatest theft from musicians everywhere has never been necessarily piracy, but the line in the recording contract that was called “recoupable”. It enabled the recording industry to recoup every possible dime that it might have ever spent off their royalty payments.

Therefore, the issue of mechanical royalties for a musician is essential. The radio mechanical royalty is in many ways some of the only real revenue an artist sees, but the government has decided that $20 million in mechanical royalty revenue to Canadian artists is something artists do not need and is giving it to the big broadcasters. The broadcasters will not have to pay a royalty right that they have had to pay for years. That money is being directly robbed from artists.

In no other system that I know of has it been decided that people who had a right to earn a living no longer have that right. The Conservatives call that “balanced”; we call it wrong.

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November 24th, 2011 / 3:55 p.m.


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Liberal

Scott Simms Liberal Bonavista—Gander—Grand Falls—Windsor, NL

Mr. Speaker, my colleague and I have worked quite a bit on this issue over the past few years. We have been through many of these battles and through three versions now, I think, of this particular bill.

I want to ask him about the situation with the education exemption. We are slowly finding that we rushed ahead with the provisions of TPMs and digital locks and have now locked down material that under normal circumstances should be accessible.

Because of the way these TPMs operate, sharing among one's own devices, ironically, will be eliminated by the provision for TPMs. It does not seem to me, and I am sure it does not seem to him, that this is technologically neutral. It does not add up to it. At present one has a right to transfer material from one device to another, but because of digital locks, that right will be eliminated. That ability had been given to us by the private sector, not by legislation.

I wonder if the member could comment on that aspect.

Copyright Modernization ActGovernment Orders

November 24th, 2011 / 3:55 p.m.


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NDP

Charlie Angus NDP Timmins—James Bay, ON

Mr. Speaker, that is an excellent question, because this is not a technologically neutral bill.

As my hon. colleague said, the bill says that the TPM defines the right. This is going to have an extreme effect on education and libraries. Right now, if people want to get a master's thesis from the University of York and read it in Alberta, they contact the university which mails them a copy. They can read it for a while and then send it back. It is pretty easy to make a photocopy. It would not do any real damage. It happens.

The bill would force all libraries to put digital lock codes on the transmission of materials, so that after, I think it is, five days of study it magically goes poof and disappears. The ability of libraries to impose that kind of technology on the products they have, that are meant to be shared and understood, is excessive. I do not think it is even possible for them to be able to do.

It is going to have a negative impact. It is actually not serving anybody's purposes by having this arbitrary use of TPMs.

Copyright Modernization ActGovernment Orders

November 24th, 2011 / 3:55 p.m.


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NDP

Pierre Jacob NDP Brome—Missisquoi, QC

Mr. Speaker, to begin with, I would like to stress how important this issue is to all creators, and particularly those in my riding, whether they be in Sutton, Magog, Bromont, Cowansville, Knowlton, or elsewhere. Moreover, I salute all those creators who are very active across all forms of art, which improves people's quality of life, whether it be through the medium of cinema, theatre, improvisation, television, writing, painting, and so on. Artists are entitled to be fairly compensated for their work. This bill will deprive artists of millions of dollars in revenue and erode their market. The long and complex list of exceptions does not adequately recognize the rights of creators.

In fact, these exceptions create new ways for consumers to access protected content without concurrently creating new avenues through which to compensate creators for the fair use of their work. Bill C-11 does not adequately protect the ability of people to post content submitted or produced by users themselves, even if it were easy to collectively authorize this. Moreover, Bill C–11 creates an artificial distinction between copying for private use and reproducing for private use in Part 8, section 80 of the Copyright Act, and section 29, paragraph 22)(1)(e) of the copyright modernization bill.

There are also direct implications for consumers. The rigid provisions assign unprecedented powers to rights holders, which trump all other rights. If passed, Bill C–11 could mean that an individual would no longer have access to the content for which he has paid, and which he has every right to use. For example, if someone is enrolled in long distance education courses, it is draconian and unacceptable to ask him to destroy his course notes within 30 days of the course concluding, as proposed under this bill.

For all these reasons, it is felt that powerful, new anti-circumvention rights must be created for content owners, as opposed to content creators and content developers. In addition to preventing access to copyrighted works, these new provisions are strengthened by fines of over $1 million and sentences of five years detention. A further provision prohibits access to protected information by way of a digital lock, such as a digital watermark.

This would lead to a situation whereby digital locks would take precedence over virtually all other rights, including the fair dealing rights of students and journalists. This is problematic for several reasons. In particular, there is a very tangible danger of consumers, in some circumstances, not being authorized to use content for which they have paid. Moreover, the digital locks trump all other rights guaranteed by the Charter, including change of format in the case of a visual disability.

Secondly, the new provisions would require, where a digital lock has been used, that copies made for educational purposes be automatically erased after five days and that course notes be destroyed within 30 days of the course concluding. That would lead to serious problems for students enrolled in long distance education courses. It is not an appropriate use of the copyright rules.

Thirdly, it would create new limited exceptions to the fair dealing provision of the Copyright Act, including the exceptions for educators, and exceptions for parody and satire. The exceptions do not adequately recognize the rights of creators. In fact, the exceptions facilitate consumers' access to copyright protected content without the provision of new methods for creators to be compensated for their work.

With this bill, the Conservatives have intentionally avoided dealing with the question of the possibility of extending the exception for private copying, a measure that has been proposed by the NDP and also by a number of experts.

The private copying exception has been very effective in the past for cassettes, CDs and DVDs. The government has tried to put a populist face on its opposition to extending the exception.

The NDP believes it is high time to modernize copyright rules, but there are too many major problems with this bill. In some cases, it even creates problems were there were none before.

We are going to try to amend the bill so that it better reflects the interests of Quebec and the Canadian public. The NDP believes that copyright rules in Canada could balance the right of creators to receive fair remuneration for their work and the right of consumers to have access to content at reasonable prices. We are also going to study any potential amendment that could be made to the bill to create a fair system of royalties for artists. As it stands at present, the bill eliminates several million dollars in income for our artists.

For all these reasons, it seems that the efforts Canadians have put into reform of the Copyright Act in recent years have had very little to do with the creation of a system that strikes a balance between the rights of creators and the rights of the public. Those efforts have instead been attempts to meet the demands of the big owners of American content, the film industry, record companies, video game developers and others. When will Canadians finally have legislation that meets their needs?

In the NDP, we believe that Canadian copyright legislation can achieve a balance between creators’ right to receive fair compensation for their work and consumers’ right to have reasonable access to content. We are going to assess all of the amendments that might be made to the bill to create a system of fair royalties for artists. As it stands at present, the bill eliminates income worth several million dollars.

As a result, the copyright modernization bill gives with one hand and takes back with the other. Although the bill contains some concessions to benefit consumers, they are undermined by the government’s refusal to adopt a compromise position on the most controversial issue: copyright in Canada.

We are also proposing that the clauses that criminalize the elimination of digital locks for personal, non-commercial purposes be removed from the copyright modernization bill. We support reducing the penalties for people convicted of violating the Copyright Act, since that would prevent excessive prosecution of the public, a problem that often exists in the United States.

The Conservatives have ignored the opinion of the experts who were heard by the committee and the conclusions of their own copyright consultations in 2009. As a result, they have introduced a bill that could cause more harm than good.

The NDP believes it is high time for a modernization that will eliminate these blatant problems and we are going to work to amend the bill so that it better reflects the interests of Canadians.

In conclusion, a number of groups have stated their ideas and supported what we are calling for through their statements, such as the cultural industries and the Writers Guild of Canada. The Guild says that the only option Bill C-11 offers creators is the addition of a digital lock, the effect of which would be to block existing sources of income for creators and create a loophole in the bill by taking away from consumers the same rights as are guaranteed to them in other clauses of the bill.

Copyright Modernization ActGovernment Orders

November 24th, 2011 / 4:05 p.m.


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NDP

Marc-André Morin NDP Laurentides—Labelle, QC

Mr. Speaker, in listening to my colleague, a question comes to mind.

We, on this side, read a lot or we have all read a lot. In a book there is often a bibliography of 20 pages and on every second or third page, we find a reference or a quote from an author.

Under this legislation, we would find at the end of the book a page indicating that every note and every reference was destroyed at the end of 30 days. It is utterly ridiculous.

I believe it is a good bill, but trying to make it a smart bill is like running a mule in the Kentucky Derby.

Copyright Modernization ActGovernment Orders

November 24th, 2011 / 4:10 p.m.


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NDP

Pierre Jacob NDP Brome—Missisquoi, QC

Mr. Speaker, I want to thank my dear colleague for his comments.

As I have already said, I agree that this bill does not help creators. This lock will help neither creators nor consumers. For all the reasons I have just listed, we will work on amending this inadequate Bill C-11 because it is very important for Canadians. Canadians have spent $1.4 billion on attending live artistic performances, or more than twice as much as on attending sporting events, spending $0.65 billion on those.

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November 24th, 2011 / 4:10 p.m.


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NDP

Alain Giguère NDP Marc-Aurèle-Fortin, QC

Mr. Speaker, my question is quite simple and concerns copyright.

A copyright payment is a royalty. It is a salary. It provides a living. My question is very simple: what do we call copyright legislation that essentially prevents creators from receiving an income? That is a key question. We keep talking about copyright, but this bill is essentially about denying copyright. It denies creators the possibility of making a living from their creations.

How can we hope to encourage creation when the creators are denied income?

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November 24th, 2011 / 4:10 p.m.


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NDP

Pierre Jacob NDP Brome—Missisquoi, QC

Mr. Speaker, I would like to thank the hon. member for his question.

Income is a right. Artists have the right to be fairly compensated for their work and effort. If they receive fair compensation, they will be encouraged to create. It is a cycle. This bill will deprive artists of millions of dollars in income, as I have already said, will erode their market.

The long, complex list of exceptions, which does not recognize the rights of creators, must be removed. These exceptions create new means for consumers to access protected content without also creating new ways to compensate creators for the use of their work.

Copyright Modernization ActGovernment Orders

November 24th, 2011 / 4:10 p.m.


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NDP

Andrew Cash NDP Davenport, ON

Mr. Speaker, the bill would grant a range of new access privileges, but does not really increase opportunities for artists to make a living. This is a big issue for us on this side of the House because we know the arts and culture sector is a major economic driver in our country. The bill is an opportunity for us to get copyright right so innovation can proceed in the country.

Would my hon. colleague care to comment on the import of the arts and culture sector to our economy and to Canada as a whole?

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November 24th, 2011 / 4:10 p.m.


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NDP

Pierre Jacob NDP Brome—Missisquoi, QC

Mr. Speaker, I can say that arts and culture are very important in my riding and across the country.

The Alliance of Canadian Cinema, Television and Radio Artists estimates that the arts and culture industries in Canada contribute $85 billion a year to our economy, which represents 7.4% of Canada's GNI. They support some 1.1 million jobs, or about 6% of the Canadian labour force. These industries and the jobs that depend on them can only survive in an environment where intellectual property is protected.

I could go on to say that many cities and towns make their living in the arts sector.

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November 24th, 2011 / 4:15 p.m.


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NDP

Lysane Blanchette-Lamothe NDP Pierrefonds—Dollard, QC

Mr. Speaker, it is true that everyone has been waiting a long time for a modernized copyright act that would reflect the new technologies and the new realities facing consumers, artists, producers and booksellers. At last, we have this opportunity to debate a new and modern copyright bill.

However, the debate on this issue has been going on for many hours and it is obvious that we are disappointed by what the government is proposing with Bill C-11.

Why are we disappointed? First, it is because both consumers and artists were consulted on many occasions but, unfortunately, most of the proposals put forward were ignored. Once again, people may be frustrated by the government's lack of consideration, even arrogance, regarding the views of those who have to live with the restrictions and the benefits of the laws that we pass.

Of course, this unwillingness to listen generates a lot of frustration, and we heard many vent that frustration. Allow me to address, among other issues, the government's lack of consideration for consumers' rights and also for artists' income and respect.

Generally speaking, there are several small things that have us worried about this bill. There are things which suggest that implementation problems could surface, because certain rights may not be respected and because the government may not have thought about everything when it drafted this legislation. I hope the government will be open to some changes, even just basic ones, to ensure that this bill is appropriate and that it respects people's rights.

I am not going to mention them all, but there is, for example, the difficulty that visually impaired people may have with the new lock standards on the content that they buy. Then there are the problems that distance learning could experience with the new standards and the new restrictions imposed by the locks. These are small issues which make us wonder and which also make us hope that the necessary adjustments will be made. I met with members of the Canadian Alliance of Student Associations and their position on this bill is very clear. They say:

The legislation misses an opportunity to take on the personal contributions made by students to publishers abroad, under the Book Importation Regulations. If these contributions were abolished, students could save $30 million annually.

We are hearing a lot of talk these days about rising tuition fees and about students who have a hard time making ends meet, who are worried about adding more costs to their education expenses and about their studies becoming much more difficult because of copyright restrictions. I will mention some of the concerns I have heard. There are three main ones.

First, there are interlibrary loans. I was studying to be a teacher not very long ago, and I can say that interlibrary loans offer a wealth of information to students. Today, library books are still available in paper format, of course, but many are available online. Whether we are talking about scientific articles or complete volumes housed in libraries, students, regardless of where in the country they live, have access to an impressive amount of information thanks to a high number of interlibrary loans and loans of digital articles. These students are worried about their rights because this is a matter of access to information; it is a tool to help educate oneself, learn and produce new material. We must not forget that there are students at the bachelor, master's and doctoral level who produce very interesting material because they have access to information. This is one of the first concerns raised by the Canadian Alliance of Student Associations.

The other concern—and we have already talked about it a lot—has to do with the requirement that course notes be destroyed within 30 days.

I am greatly simplifying this. We already explained this measure. Students are also concerned about this. Students are recommending, among other things, that the clause in Bill C-11 about destroying information after 30 days be eliminated so that educational institutions can offer more effective and high-quality education, which will encourage lifelong learning and innovation.

I was a student but I was also a lecturer at a university. I know that there are things that need to be adapted. We agree that the Copyright Act needs to be adapted. Students often get together to purchase one copy of the class notes and then photocopy it. There are also professors who do not respect copyright. They photocopy entire chapters of books and give them to their students. A change must be made in this regard to ensure that copyright is respected in universities, but I do not think that the solution is to pass the bill on to students or to limit their access to information. I do not think that we are targeting the real problem or the people who should be paying for these documents. Changes also have to be made in this regard.

I am now going to speak about the new problems that Bill C-11 could cause because of the many exceptions it contains. Unfortunately, these exceptions cast a net that is a bit too wide and certain problems may arise as a result. I am speaking once again about the use of texts and materials in schools.

It was not so long ago that teachers were required to contribute, by buying course material, to an organization that collected funds and redistributed them. It was a sort of large communal piggy bank, where the money that was put in was redistributed to authors, artists and writers to ensure a certain degree of respect for copyright.

Elementary school, high school and college teachers make a lot of photocopies. They use materials and give them to their students. In order for it to be worthwhile for authors to continue to produce educational materials adapted to our Canadian and Quebec reality and in order for it to be worthwhile for authors of educational material to produce topical material and to be up-to-date on new information and technology and the new interests of our young people, they have to be compensated. No one is going to produce educational material for the sheer fun of it or for little or no compensation. That is ridiculous. These people need to be motivated to produce material so that our children, our teenagers and our young adults are motivated to learn and have the benefit of educational material that is adapted and interesting. This is an issue that causes considerable concern as well.

Similarly, every time anyone purchased a blank CD, which was used to store music, for instance, a certain amount from each CD was sent to a big, central piggy bank, and the money was then distributed to music producers. Why not adapt that principle—which worked very well and allowed for the distribution of millions of dollars to music producers—to new materials like iTunes and new tools that are used to copy music? Why not allow authors, musicians and artists to receive a royalty on what they produce? There are many such examples that demonstrate how out of touch this bill is.

In closing, I would like to say that, of course, we will vote against Bill C-11. I am sure we will hear the familiar refrain that the NDP is against artists. There is an important distinction to be made. We are in favour of protecting artists and the rights of consumers, and in favour of adapting the Copyright Act, but not to replace it with just about anything, and not just haphazardly.

What we have before us needs some serious reworking, which I hope will take into account the concerns of the people working in the field and all the amendments and suggestions made by other parties.

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November 24th, 2011 / 4:25 p.m.


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Conservative

The Acting Speaker Conservative Barry Devolin

It is my duty pursuant to Standing Order 38 to inform the House that the questions to be raised tonight at the time of adjournment are as follows: the hon. member for Scarborough—Rouge River, Post-Secondary Education; the hon. member for Scarborough—Guildwood, Libya.

The hon. member for Rivière-du-Nord.

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November 24th, 2011 / 4:25 p.m.


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NDP

Pierre Dionne Labelle NDP Rivière-du-Nord, QC

Mr. Speaker, I would first like to congratulate my dear colleague for her very vibrant and inspiring speech.

At a certain point in my life, I was a songwriter and three of my songs were in the top ten on the charts at the same time. I automatically received my royalties, which were just crumbs, insignificant amounts. These songs were also played in Europe, and I received a lot of money. When I heard that the Copyright Act would be modernized I said to myself that we would finally get a little bit more money and that it would be an incentive to write songs. What I have learned is that artists and creators will lose $126 million.

That is very disappointing and depressing and I would like to hear what my colleague has to say about it.

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November 24th, 2011 / 4:25 p.m.


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NDP

Lysane Blanchette-Lamothe NDP Pierrefonds—Dollard, QC

Mr. Speaker, I thank my artist colleague.

The best example I can think of to illustrate my point is the pride we feel when an Olympic athlete returns with a gold medal. These athletes are supported and receive financial assistance. They do not train full-time and also work full-time. No, athletes who perform are well taken care of and supported by sponsors, the government and others.

We are also proud of our artists who perform abroad and of the prizes won by movies, for example. But there are others. There are also all those who make music that may not be aired abroad, who write interesting and current school books for our youth, and so forth. Many artists are affected by this bill and they deserve consideration and a little more support to ensure that they continue to produce material that people will enjoy and be proud of.