Copyright Modernization Act

An Act to amend the Copyright Act

This bill is from the 41st Parliament, 1st session, which ended in September 2013.

Sponsor

Christian Paradis  Conservative

Status

This bill has received Royal Assent and is now law.

Summary

This is from the published bill. The Library of Parliament has also written a full legislative summary of the bill.

This enactment amends the Copyright Act to
(a) update the rights and protections of copyright owners to better address the challenges and opportunities of the Internet, so as to be in line with international standards;
(b) clarify Internet service providers’ liability and make the enabling of online copyright infringement itself an infringement of copyright;
(c) permit businesses, educators and libraries to make greater use of copyright material in digital form;
(d) allow educators and students to make greater use of copyright material;
(e) permit certain uses of copyright material by consumers;
(f) give photographers the same rights as other creators;
(g) ensure that it remains technologically neutral; and
(h) mandate its review by Parliament every five years.

Similar bills

C-32 (40th Parliament, 3rd session) Copyright Modernization Act
C-61 (39th Parliament, 2nd session) An Act to amend the Copyright Act
C-60 (38th Parliament, 1st session) An Act to amend the Copyright Act

Elsewhere

All sorts of information on this bill is available at LEGISinfo, an excellent resource from the Library of Parliament. You can also read the full text of the bill.

Bill numbers are reused for different bills each new session. Perhaps you were looking for one of these other C-11s:

C-11 (2022) Law Online Streaming Act
C-11 (2020) Digital Charter Implementation Act, 2020
C-11 (2020) Law Appropriation Act No. 1, 2020-21
C-11 (2016) Law An Act to amend the Copyright Act (access to copyrighted works or other subject-matter for persons with perceptual disabilities)
C-11 (2013) Priority Hiring for Injured Veterans Act
C-11 (2010) Law Balanced Refugee Reform Act

Votes

June 18, 2012 Passed That the Bill be now read a third time and do pass.
May 15, 2012 Passed That Bill C-11, An Act to amend the Copyright Act, as amended, be concurred in at report stage with further amendments.
May 15, 2012 Failed That Bill C-11, in Clause 47, be amended by adding after line 15 on page 54 the following: “(3) The Board may, on application, make an order ( a) excluding from the application of section 41.1 a technological protection measure that protects a work, a performer’s performance fixed in a sound recording or a sound recording, or classes of them, or any class of such technological protection measures, having regard to the factors set out in paragraph (2)(a); or ( b) requiring the owner of the copyright in a work, a performer’s performance fixed in a sound recording or a sound recording that is protected by a technological protection measure to provide access to the work, performer’s performance fixed in a sound recording or sound recording to persons who are entitled to the benefit of any limitation on the application of paragraph 41.1(1)(a). (4) Any order made under subsection (3) shall remain in effect for a period of five years unless ( a) the Governor in Council makes regulations varying the term of the order; or ( b) the Board, on application, orders the renewal of the order for an additional five years.”
May 15, 2012 Failed That Bill C-11, in Clause 47, be amended by replacing line 11 on page 52 with the following: “(2) Paragraph 41.1(1)( b) does not”
May 15, 2012 Failed That Bill C-11, in Clause 47, be amended by replacing line 25 on page 51 with the following: “(2) Paragraph 41.1(1)( b) does not”
May 15, 2012 Failed That Bill C-11, in Clause 47, be amended by deleting lines 1 to 7 on page 51.
May 15, 2012 Failed That Bill C-11, in Clause 47, be amended by deleting lines 24 to 33 on page 50.
May 15, 2012 Failed That Bill C-11, in Clause 47, be amended by deleting line 37 on page 49 to line 3 on page 50.
May 15, 2012 Failed That Bill C-11, in Clause 47, be amended by deleting lines 17 to 29 on page 48.
May 15, 2012 Failed That Bill C-11, in Clause 47, be amended by deleting lines 38 to 44 on page 47.
May 15, 2012 Failed That Bill C-11, in Clause 47, be amended by adding after line 26 on page 47 the following: “(5) Paragraph (1)( a) does not apply to a qualified person who circumvents a technological protection measure on behalf of another person who is lawfully entitled to circumvent that technological protection measure. (6) Paragraphs (1)( b) and (c) do not apply to a person who provides a service to a qualified person or who manufactures, imports or provides a technology, device or component, for the purposes of enabling a qualified person to circumvent a technological protection measure in accordance with this Act. (7) A qualified person may only circumvent a technological protection measure under subsection (5) if ( a) the work or other subject-matter to which the technological protection measure is applied is not an infringing copy; and ( b) the qualified person informs the person on whose behalf the technological protection measure is circumvented that the work or other subject-matter is to be used solely for non-infringing purposes. (8) The Governor in Council may, for the purposes of this section, make regulations ( a) defining “qualified person”; ( b) prescribing the information to be recorded about any action taken under subsection (5) or (6) and the manner and form in which the information is to be kept; and ( c) prescribing the manner and form in which the conditions set out in subsection (7) are to be met.”
May 15, 2012 Failed That Bill C-11, in Clause 47, be amended by adding after line 26 on page 47 the following: “41.101 (1) No one shall apply, or cause to be applied, a technological protection measure to a work or other subject-matter that is intended to be offered for use by members of the public by sale, rental or otherwise unless the work or other subject-matter is accompanied by a clearly visible notice indicating ( a) that a technological protection measure has been applied to the work; and ( b) the capabilities, compatibilities and limitations imposed by the technological protection measure, including, where applicable, but without limitation (i) any requirement that particular software must be installed, either automatically or with the user's consent, in order to access or use the work or other subject-matter, (ii) any requirement for authentication or authorization via a network service in order to access or use the work or other subject-matter, (iii) any known incompatibility with ordinary consumer devices that would reasonably be expected to operate with the work or other subject-matter, and (iv) any limits imposed by the technological protection measure on the ability to make use of the rights granted under section 29, 29.1, 29.2, 29.21, 29.22, 29.23 or 29.24; and ( c) contact information for technical support or consumer inquiries in relation to the technological protection measure. (2) The Governor in Council may make regulations prescribing the form and content of the notice referred to in subsection (1).”
May 15, 2012 Failed That Bill C-11, in Clause 47, be amended by adding after line 26 on page 47 the following: “41.101 (1) Paragraph 41.1(1)( a) does not apply to a person who has lawful authority to care for or supervise a minor and who circumvents a technological protection measure for the purpose of protecting the minor if ( a) the copy of the work or other subject-matter with regard to which the technological protection measure is applied is not an infringing copy; and ( b) the person has lawfully obtained the work, the performer’s performance fixed in a sound recording or the sound recording that is protected by the technological protection measure. (2) Paragraphs 41.1(1)( b) and (c) do not apply to a person who provides a service to a person referred to in subsection (1) or who manufactures, imports or provides a technology, device or component, for the purposes of enabling anyone to circumvent a technological protection measure in accordance with subsection (1). (3) A person acting in the circumstances referred to in subsection (1) is not entitled to benefit from the exception under that subsection if the person does an act that constitutes an infringement of copyright or contravenes any Act of Parliament or of the legislature of a province.”
May 15, 2012 Failed That Bill C-11, in Clause 47, be amended by deleting lines 21 to 40 on page 46.
May 15, 2012 Failed That Bill C-11, in Clause 47, be amended by replacing line 25 on page 45 with the following: “measure for the purpose of an act that is an infringement of the copyright in the protected work.”
May 15, 2012 Failed That Bill C-11, in Clause 22, be amended by deleting lines 30 to 34 on page 20.
May 15, 2012 Failed That Bill C-11, in Clause 22, be amended by deleting lines 33 to 37 on page 19.
May 15, 2012 Failed That Bill C-11 be amended by deleting Clause 62.
May 15, 2012 Failed That Bill C-11 be amended by deleting Clause 49.
May 15, 2012 Failed That Bill C-11, in Clause 27, be amended by deleting line 42 on page 23 to line 3 on page 24.
May 15, 2012 Failed That Bill C-11, in Clause 27, be amended by replacing lines 23 to 29 on page 23 with the following: “paragraph (3)( a) to reproduce the lesson for non-infringing purposes.”
May 15, 2012 Failed That Bill C-11, in Clause 21, be amended by adding after line 13 on page 17 the following: “(2) The Governor in Council may make regulations defining “education” for the purposes of subsection (1).”
May 15, 2012 Failed That Bill C-11 be amended by deleting Clause 2.
May 15, 2012 Failed That Bill C-11 be amended by deleting Clause 1.
May 15, 2012 Passed That, in relation to Bill C-11, An Act to amend the Copyright Act, not more than one further sitting day shall be allotted to the consideration at report stage of the Bill and one sitting day shall be allotted to the consideration at third reading stage of the said Bill; and That, 15 minutes before the expiry of the time provided for Government Orders on the day allotted to the consideration at report stage and on the day allotted to the consideration at third reading stage of the said Bill, any proceedings before the House shall be interrupted, if required for the purpose of this Order, and in turn every question necessary for the disposal of the stage of the Bill then under consideration shall be put forthwith and successively without further debate or amendment.
Feb. 13, 2012 Passed That the Bill be now read a second time and referred to a legislative committee.
Feb. 13, 2012 Passed That this question be now put.
Feb. 8, 2012 Passed That, in relation to Bill C-11, An Act to amend the Copyright Act, not more than two further sitting days shall be allotted to the consideration at second reading stage of the Bill; and that, 15 minutes before the expiry of the time provided for Government Orders on the second day allotted to the consideration at second reading stage of the said Bill, any proceedings before the House shall be interrupted, if required for the purpose of this Order, and, in turn, every question necessary for the disposal of the said stage of the Bill shall be put forthwith and successively, without further debate or amendment.
Nov. 28, 2011 Failed That the motion be amended by deleting all the words after the word “That” and substituting the following: “the House decline to give second reading to Bill C-11, An Act to amend the Copyright Act, because it fails to: ( a) uphold the rights of consumers to choose how to enjoy the content that they purchase through overly-restrictive digital lock provisions; (b) include a clear and strict test for “fair dealing” for education purposes; and (c) provide any transitional funding to help artists adapt to the loss of revenue streams that the Bill would cause”.

Copyright Modernization ActGovernment Orders

May 14th, 2012 / 5:30 p.m.

Conservative

Chris Alexander Conservative Ajax—Pickering, ON

Mr. Speaker, the hon. member knows full well that is not what I said or implied. However, that is his modus operandi, so we will let it pass.

The bottom line is the NDP is not as convinced, and certainly not as principled, on the issue of cracking down on piracy. It does not accept that artists would be the ones to benefit first and foremost from an industry that is regulated by the rule of law, from an industry where artists are able to reliably protect their creations under a modernized law. The artists agree with this. Loreena McKennitt said that the changes proposed in the government's copyright bill were “fair and reasonable”.

Michael Geist, someone with whom I am sure the member opposite sympathizes, said:

The bill will require careful study, but the initial analysis is that there were some serious efforts to find compromise positions on many thorny copyright issues.

We stand with the balance we have struck.

Copyright Modernization ActGovernment Orders

May 14th, 2012 / 5:30 p.m.

Liberal

Scott Simms Liberal Bonavista—Gander—Grand Falls—Windsor, NL

Mr. Speaker, Canadian research chair, Michael Geist has suggested that an easy way to fix this would be to amend the bill to make it okay to circumvent a digital lock if the purposes for which a lock is circumvented are lawful. Let us quote Mr. Geist fully. Let us talk about the fact that he found a fundamental flaw that the Conservatives were not willing to address.

In this situation, my question is this. If other countries saw fit to make changes about circumventing these locks under circumstances such as education, why did we not do the same? Why is that such a bad thing in certain circumstances?

Copyright Modernization ActGovernment Orders

May 14th, 2012 / 5:30 p.m.

Conservative

Chris Alexander Conservative Ajax—Pickering, ON

Mr. Speaker, the needs of educational institutions and the needs of a new generation that want to engage with electronic media more intensely than any previous are heavily taken into account in striking the balance that the bill strikes.

The member opposite will have to agree with us on this side that the modernization the bill represents, the struggle to balance the needs of those school children, of the independent consumers with those of the corporate sector and artists themselves who want to get paid for their work has been well struck in the bill.

It is unacceptable for us to allow further delay. The last update in modernization in this area took place before the first Google search had taken place, before Facebook and Twitter were created. We need to legislate in this field, and this bill would do the job.

Copyright Modernization ActGovernment Orders

May 14th, 2012 / 5:30 p.m.

Blackstrap Saskatchewan

Conservative

Lynne Yelich ConservativeMinister of State (Western Economic Diversification)

Mr. Speaker, would the member elaborate on how this will help with the ability to compete in the global digital economy that is so critical for stakeholders in the industry?

Copyright Modernization ActGovernment Orders

May 14th, 2012 / 5:30 p.m.

Conservative

Chris Alexander Conservative Ajax—Pickering, ON

Mr. Speaker, this really is the most exciting part of the bill. We all believe on this side of the House that modernization, combined with the unprecedented agenda of trade and investment liberalization that the government is pursuing in all parts of the world, stand to make our cultural industry stronger and more visible both to us in Canada and worldwide. We cannot always find the artists we want in a timely way online or on television because the structures are not there and the financing is not there to bring them to us. It will also take these artists to audiences, billions of people, around the world who have yet to hear everything they want to hear from Canada. Therefore, this is a trade and economic measure as much as it is a cultural measure.

Copyright Modernization ActGovernment Orders

May 14th, 2012 / 5:35 p.m.

NDP

Hélène LeBlanc NDP LaSalle—Émard, QC

Mr. Speaker, today I have the pleasure of addressing the House on the subject of Bill C-11, An Act to amend the Copyright Act. This has already been pointed out, but I would like to remind the House that, while the English title speaks of copyright, in French, we refer to “le droit d'auteur”, the author's right.

That difference is quite interesting, because we are seeking to find a balance between the author's rights and the user's right to make copies. In a well-constructed law, it should be possible to find a balance between these things that appear contradictory at first.

As the official opposition critic on industry, I would like to highlight some facts regarding the contribution of arts and culture to the Canadian economy.

It is said that arts and culture contribute $85 billion a year to our economy and support 1.1 million jobs. If we look deeper, we find that the average salary for an artist in Canada is only $12,900 a year. So, when we talk about this bill to amend the Copyright Act, we want to be certain that the new legislation includes remuneration for the creators and artists who work in this industry. After all, they are the ones who create the content that consumers, users and educators make use of later.

People who work, who are in an industry and produce a device or any kind of commodity, expect to be compensated for their work, for the product they produce. That is the problem with Bill C-11. Creators will lose income that their content should generate. As well, those who produce things expect the product to be protected somehow, not used in a way in which they did not intend it to be used.

It seems that those who produce artistic creations, such as music or photos, would no longer be compensated. Consider the book industry. I recently spoke to people from the Union des écrivaines et des écrivains québécois. The Quebec book industry is worth $800 million per year, yet writers earn an average annual income of just $10,000. Despite relatively low earnings, the existing legal framework enables many people interested in writing—and making music—to earn royalties for their work.

I believe that, in our society, people should be compensated fairly for their work.

That is what is interesting about arts and culture, because it is a very important sector in Canada. Indeed, Canadian artists do not have access to a huge market, as do our neighbours to the south, for instance.

We therefore need to ensure that our artists are properly supported so that they can continue to tell our stories and share Canada's culture with the rest of the world, since that culture is rather unique and very interesting.

These artists are always passionate and often have very unique ways of expressing what it means to live here in Canada, of singing about Canada and of talking about Canada's different regions. Incidentally, I am from Quebec and of Acadian heritage. It is thanks to artists from Quebec, whom I know well, and Acadian artists, for instance, but also artists from other areas of Canada, that we are able to express what it means to be Canadian, to be a Quebecker, Albertan or Ontarian, to name a few.

These artists are, or at least should be, a great source of pride. As such, we must recognize that in the bill to amend the Copyright Act. We must ensure that we have legislation that reflects the needs of Canadians and does not give in to foreign demands that do not necessarily correspond to Canadian values. We have to make it easier for culture to grow here and ensure that it can be protected.

Like the government, we recognize that the Copyright Act has to be modernized; there is no denying it. Earlier, my colleague, the digital issues critic, said as much, as we all have. Technology is changing faster than the law can. It is changing very quickly. There are more and more means of communication and copying. We have to deal with this rapidly changing technology. We know that.

We would expect a bill that modernizes legislation to support fair compensation for the creators of content and accessibility to this content for users, and also to strike a balance between these interests. Bill C-11 does not seem to strike that balance. It even adds locks, barriers, things that do not necessarily help achieve that balance. According to a number of witnesses, these things could potentially create barriers to innovation.

I would like to remind the government that we must try to strike a balance. The NDP believes that the Copyright Act can strike a balance between creators' right to fair compensation for their work and consumers' right to reasonable access to content.

I hope that we will strike that balance one day. However, at this time, Bill C-11 does not seem to do that. Therefore, I am sorry to say that I will be voting against it.

Copyright Modernization ActGovernment Orders

May 14th, 2012 / 5:45 p.m.

NDP

Jean Rousseau NDP Compton—Stanstead, QC

Mr. Speaker, I would like to congratulate my colleague on her excellent speech.

I would like her to talk about what this type of bill, which is supposed to apply to all new technologies, could do to the next generation of creators. It has taken some time to bring in reforms. We proposed several amendments and they were all rejected outright.

What can this type of bill, which does not really stimulate creativity or job creation in this area—as was hinted at earlier—do to the next generation of artists, creators, authors and composers?

Copyright Modernization ActGovernment Orders

May 14th, 2012 / 5:45 p.m.

NDP

Hélène LeBlanc NDP LaSalle—Émard, QC

Mr. Speaker, I want to thank my colleague, who was a musician in a former life. I believe he still is because once a musician, always a musician.

In fact, my colleague raises a very good point. Paying royalties to artists is in fact an investment in our culture. When we make an investment it will pay dividends and promote job creation. If we take away this investment, or these royalties, we nip all hope of job creation and cultural expansion in the bud.

Copyright Modernization ActGovernment Orders

May 14th, 2012 / 5:45 p.m.

NDP

Carol Hughes NDP Algoma—Manitoulin—Kapuskasing, ON

Mr. Speaker, although the Conservative government continues to say that the proposed changes to the Copyright Act will protect the best interests of Canadian consumers, the reality is that the Conservatives have based their policy on the concerns of large copyright holders, especially those in the United States.

My colleague is quite right: the real winners with Bill C-11 are the major movie studios and record labels, not Canadian consumers nor the artists.

I wonder if she agrees with my hypothesis: maybe the government attacks women, seniors and now artists as a way of creating more criminals to suit its prison agenda.

Copyright Modernization ActGovernment Orders

May 14th, 2012 / 5:45 p.m.

NDP

Hélène LeBlanc NDP LaSalle—Émard, QC

Mr. Speaker, that is a very broad question.

I pointed out—and I would like to reiterate—that we must ensure that our laws, including copyright laws for instance, really reflect the reality in Canada and Canadian culture. Unfortunately, this government has a tendency to want to copy the United States. But this is not the United States.

In Canada, we have a very unique culture that needs to be nurtured and enriched. Indeed, by having copyright, by granting royalties to our artists and creators, we can ensure that Canadian culture is promoted beyond our borders and supported here at home.

Copyright Modernization ActGovernment Orders

May 14th, 2012 / 5:45 p.m.

Oak Ridges—Markham Ontario

Conservative

Paul Calandra ConservativeParliamentary Secretary to the Minister of Canadian Heritage

Mr. Speaker, just in that last question we heard everything that is wrong with respect to the opposition. Its members are so concerned with trying to get over onto this side of the House that they will say anything and do anything. It does not matter how wrong they are or how far from the truth it is, they will say it. They will stoop to any level in order to get over here. That is the problem with the change of leadership that party has had. It has gone from a principled party to one that cares about nothing and will stand for nothing.

One of the members said that we were creating new prisons, which is not true. We are rebalancing the criminal justice system, which I know they are against.

Why is the hon. member so concerned about Canadian artists that she does not believe that they can compete with anybody around the world, when four of the top five artists on Billboard in December were Canadian artists, when some of the highest grossing movie producers are Canadians and when some of the best films in the world are Canadian?

What is it about our artists that the opposition members are so concerned about that they do not think that they can compete with anybody around the world and—

Copyright Modernization ActGovernment Orders

May 14th, 2012 / 5:50 p.m.

The Acting Speaker Bruce Stanton

Order. Time is getting on.

The hon. member for LaSalle—Émard for a short response, please.

Copyright Modernization ActGovernment Orders

May 14th, 2012 / 5:50 p.m.

NDP

Hélène LeBlanc NDP LaSalle—Émard, QC

Mr. Speaker, how can I give a brief answer to such a long question? I will do my best.

I would like to emphasize to my colleague opposite that it is true that Canadian culture is full of success stories. However, the question is whether these people still live here now, if they were able to develop their talents here, or if they went somewhere else while people continue to enjoy the products they are developing elsewhere, creating jobs elsewhere. I have to wonder about that.

This does not change how proud I am of our artists, but I want to know if this is creating jobs here, for people here at home.

Bill C-11--Notice of time allocation motionCopyright Modernization ActGovernment Orders

May 14th, 2012 / 5:50 p.m.

York—Simcoe Ontario

Conservative

Peter Van Loan ConservativeLeader of the Government in the House of Commons

Mr. Speaker, we are debating Bill C-11, the copyright modernization act, a bill that puts forward a balanced approach that would create jobs, promote innovation, and attract new investment to Canada.

Today is the 11th day that the bill has been in debate since September when it was introduced. It has also been the subject of extensive committee hearings in this and the previous Parliament. Special legislative committees have heard from almost 200 witnesses.

Despite that extensive debate and study, I must advise, Mr. Speaker, that an agreement has not been reached under the provisions of Standing Orders 78(1) or 78(2) concerning the proceedings at report stage and third reading of Bill C-11, an act to amend the Copyright Act.

Under the provisions of Standing Order 78(3), I give notice that a minister of the Crown will propose at the next sitting a motion to allot a specific number of days or hours for the consideration and disposal of proceedings at those stages.

Report StageCopyright Modernization ActGovernment Orders

May 14th, 2012 / 5:50 p.m.

South Shore—St. Margaret's Nova Scotia

Conservative

Gerald Keddy ConservativeParliamentary Secretary to the Minister of International Trade

Mr. Speaker, it is a pleasure for me to speak to this extremely important legislation.

I would be remiss if I did not preface my comments by mentioning the previous member who spoke talking about where our artists are working, whether they are successful and whether they are able to work in Canada. The reality is that for world-class artists, it is not Canada and it is not the United States. It is the entire globe.

We live in a global economy and our artists do well when they can work on a global scale. We do not have to be so parochial that we cannot see beyond our neighbour, beyond our provincial boundaries or beyond our country's boundaries. If we want to be successful today, we need to work on a world scale. Our artists are able to do that because they have been supported and nurtured by both provincial and federal governments in this country and are first class artists in their own right. The idea that we would deny them competition, deny them the ability and that we would keep them poor and enslaved is totally unfathomable to me.

In our government's last Speech from the Throne we announced our intention to reintroduce and seek swift passage of legislation to modernize Canada's copyright law. I am proud to say that we are well on our way to fulfilling this commitment.

On September 29, 2011, our government introduced a modern, forward-looking copyright bill, a bill that would promote innovation and job creation, a bill that would help attract new investment to Canada. In short, this bill is a good news story for Canada.

Bill C-11 represents a balanced approach to copyright reform that would give creators and copyright owners a full range of rights and protections needed to compete on the world stage. At the same time, the bill also recognizes the many ways in which Canadians can make use of copyrighted material.

Today I will draw attention to the many ways in which Canada's creative community would benefit from Bill C-11.

The bill provides a clear framework that would allow creators to take full advantage of the vast number of opportunities presented by today's digital world. This is important. As the Canadian Publishers Council has stated loud and clear, we all benefit from strong and precise copyright legislation that provides incentives that protect rights holders while in this highly competitive economy. This bill would do just that, which is why it has received so much support across this great country.

The copyright modernization bill would bring Canada in line with international standards by implementing the rights and protections of the World Intellectual Property Organization Internet Treaty. The bill would also ensure that creators are able to control the first sale of every copy of their work. In doing so, Bill C-11 would protect the incentive to create and would give copyright owners effective tools to fight against piracy.

As I mentioned earlier, these provisions have been greeted with widespread support, including from the Entertainment Software Association of Canada, which described our government's copyright legislation as good public policy and critical to the success of Canada's digital economy.

Considering the clear benefits of Bill C-11, it is no wonder that its swift passage is being urged on and encouraged by so many Canadians. The bill is long overdue, as the copyright modernization bill has already undergone a very extensive review.

In the last Parliament, more than 70 witnesses appeared before a legislative committee and over 150 written briefs were submitted.

Earlier this year, the committee tasked with studying Bill C-11 heard from an additional 50 new witnesses and it also received approximately 100 new written submissions.

The committee recently completed a clause-by-clause examination of the bill. It adopted some amendments that clarified certain provisions and some of them reflect recommendations put forward by members of the creative community.

Let me tell the House about some of those amendments.

As mentioned, Bill C-11 would give creators and copyright owners the tools to go after those who enable infringement, while maintaining a balance with the rights of consumers. The government's efforts to target those who enable and profit from copyright infringement has been applauded by members of the creative community.

However, the committee recognized the concern expressed by these groups that the enablers provision should be strengthened. Specifically, they were worried that the language used in the bill may have inadvertently allowed large-scale enablers to escape liability. The committee has responded to this concern. It adopted amendments that close any loophole that may have existed that could have inadvertently afforded protection to enablers. In doing so, we are sending an even clearer message that facilitating copyright infringement is not welcome in Canada.

Because Bill C-11 is about balance, the new rights and protection it includes for creators are accompanied by a number of exceptions for use, including exceptions that would allow Canadians to benefit from digital technology. For instance, the bill would allow Canadians to time-shift and format-shift. This would enable them to enjoy legally obtained copyrighted material at the time and in the way they choose, as long as it is done for private purposes.

These exceptions have elicited widespread support, especially from those devoted to the teaching and education of our children. The Council of Ministers of Education has stated:

This legislation provides the clarity we have been looking for.... It is excellent that the bill allows students and educators to use Internet materials in their learning and teaching without fear of copyright infringement.

It is worth just taking a look at that phrase one more time. One of the great challenges in this piece of legislation was to find a balance between reliable, honest Internet use and copyright infringement. We needed to find a balance that would allow our educators and our students to access the Internet; however, we also needed to protect the rights of the people who own that copyrighted material. Every single minister of education in Canada has agreed that this piece of legislation finds that balance.

I realize that we have a number of people in the House who appear to think they know more than every single minister of education in this country, but the reality is that this has been embraced by the education community. It has been looked at, as I said earlier in my remarks, as a balanced piece of legislation. It has received extremely widespread support.

However, the committee also recognized concerns raised by some copyright owners that these exceptions could be misinterpreted. Copyright owners indicated that people might think it is legal, for example, to copy a movie from someone else's personal collection to their own tablets as long as the recording is being used for private purposes. This of course was never the intent of the bill's format-shifting and time-shifting exceptions.

In response to this concern, the committee adopted an amendment that makes it crystal clear that these exceptions would only apply when it comes to the private purpose of the individual who has legally obtained the copyrighted material other than by borrowing it or renting it. It would ensure that the measures proposed in Bill C-11 would work the way they are supposed to.

All the amendments I have described support the overall balance of the bill. These changes ensure that the rules of copyright are clear and predictable. The needs and the interests of both consumers and creators have been carefully considered.

Copyright clearly plays a critical role for Canada's creative community. It needs a modern copyright regime that reflects the reality of the digital age. The bill we have before us today would do just that. Bill C-11 is a common sense approach to copyright. It would bring the Copyright Act in line with our G8 trading partners.

Bill C-11 in its current form would provide our nation's creative economy with the edge needed to thrive in the competitive global market. It would, in the words of the Canadian Chamber of Commerce, lay “the foundation for future economic growth and job creation”.

It is time we brought Canada's copyright law into the 21st century. I urge my colleagues on every side of the House to join me in supporting the bill. This is timely, good and balanced legislation.