They have a system very similar to our own. They have something akin to the envelope system we were talking about earlier. They have a market interest fund. They provide financial support through the Australian Film Development Corporation for development, for production, and for distribution. Candidly, they struggle with the same challenges as we have in reaching audiences. I think one of their best years was 6% or 7%, and about two or three years ago it was under 1%.
I was at a congress in Denmark earlier in the summer. It was intended for the EU countries, but when I read about it, they were tabling all the same problems as we're grappling with. I called up the head of the Danish Film Institute and asked if he minded if I crashed his congress. He said not at all--the Australians were coming as well.
Members from Crete to Bulgaria and Romania--all of the EU--were there. The questions and the challenges were exactly the same.