In 2005, the Office of the Auditor General published recommendations in this regard and we would like to provide an example illustrating how improved accountability and greater transparency could shed light on a debate such as the one we are having this morning.
For example, in 2005, the Office of the Auditor General noted that the Radio-Canada radio services had 8,800 hours of unused programming available for broadcast that were not put on the air. For all practical purposes, we refer to this as on the shelf, and it represents programming that has been purchased but not broadcast.
Why would a public broadcaster need to make such large program acquisitions and then shelve them? Let us go over the figures together: what do 8,800 hours of programming represent? Peak prime time, on average, consists of three hours per evening, seven evenings per week, for a total of 21 hours of peak prime time programming per week.
If all the unused hours of programming were to be broadcast during peak prime time, they would provide eight years of peak prime time programming. There may well be a very good explanation for this. But in the absence of more detailed information, we are permitted to make some assumptions. We feel we have to do so to shed light on the debate about the future of the CBC/Radio-Canada, its funding, how to fine-tune its mandate to make it more accountable and to have it finally fulfill the expectations of all Canadians in terms of being a top quality service, a public radio and television service that people are proud of.
Our discussion is one that everyone can take part in because if we had more information in front of us, our discussion this morning would be much more enlightened. The same Auditor General's report revealed that the same year, in March 2005, when she tabled her report, the CBC English network—Radio-Canada was not alone in shelving many hours of programming—had almost 6,000 hours of on the shelf programming that were not broadcast.
The question to ask is as follows: with regard to procurement practices, why is a public broadcaster stocking so many programs without airing them? There may be a good reason for this, but—