That's a loaded question.
No, I think that under the current system, certainly in the English CBC side there is a preference given to Toronto producers in getting their productions licensed. It's clear now. I mentioned earlier the performance envelopes with the CTF. They've done that in the development component as well. We're seeing now that our counterparts and I, as provincial funders, are no longer involved in the development stage. CBC decides what they want in development, and that leads into production.
We've found that it has a huge impact. Right now it's very difficult to get anything in development in CBC if it's not blessed at the first stage. So it's a huge component.
To me, CBC has always been a rite of passage, and under the new management they've rather changed the focus to 18- to 25-year-olds. This sounds somewhat like “You know you're getting old when you like the look of a Volvo”, but when you become a certain age in Canada you start to listen to CBC radio, you start to watch CBC television more. There has been a loyal audience there for many years; they are gone now. We're starting to lose them now because of this different reality programming. They're searching for their good documentaries, their good miniseries, their good period pieces in different places now.