Thank you, Mr. Chair.
First I'm going to tell two stories and then have you respond to them, because I don't think I'll have time to do both in five minutes, if we do question and answer.
The first is a positive in terms of programs that I think work--digital collections. I'd like some comment on that.
When I worked with the Algonquin Nation we used digital collections to take hundreds of taped interviews that we wouldn't dare play for anybody in case they became damaged. They were digitized. We trained young people to do it. We got field workers in the community taking band history and photographs and building together. We added it onto the website, so it's now part of the national perspective of Canada. That collection would not have been used anywhere; we wouldn't have been able to use it.
So I'd like a comment on the role digital collections could play. How can we expand that so we can get many of the collections that are sitting in the back sheds of our museums, that we don't have space to use, out for public view?
So that's a positive.
The question I have on the more divisive issue is on the issue of national significance and the difficulty for regional and smaller voices. To prove that, I'll give an example.
I was the chair of the heritage silver trail committee for Cobalt. We had 100 sites, the only sites of their kind, showing the kind of mining that was done in the early boom days. And year after year, those sites were bulldozed. When we were meeting with the provincial bureaucrats, they would say, “Prove to us the value of your sites or we will bulldoze them”. We were literally facing bulldozers. We were trying to explain the historic significance of sites that were being erased. Then, fortunately for us, a provincial television show had some historians on and they voted Cobalt the most historic town in Ontario. Suddenly the bureaucrats all jumped up and said, “My God, we have to save these sites”--the sites that yesterday they were sending the bulldozers in on. Fortunately, the federal government identified it as a national historic site.
But in the meantime, we've lost so many of the artifacts. So many of them have been scooped up because we never had the money. We've lost sites that were intact; they're now gone. So seeing this happen, I see the difficulty of a small, regional community explaining to bureaucrats the significance of a site that they know is nationally significant.
Is there a mechanism or a means or even a review committee that museums could put forward to explain to bureaucrats in Ottawa--in our case, it was with provincial bureaucrats in Toronto--that yes, these are nationally historic sites that need to be protected, rather than bulldozed, or they're collections that shouldn't be just shipped off?
Those are my two questions.