Thank you.
It depends totally on the type of programming that's done, because it's the producer who has a show, in whatever genre is being produced, who will go to the broadcaster with the mandate closest to what the show is about to try to seek a licence. Whether that's public or private doesn't really make that much difference. The producer's need is to get that licence.
So my point was that over the years, historically, the amount of money the CBC has drawn from the fund has varied. It has gone as high as 50% in some cases, in some genres. The 37% was just the number we were given. I believe that may have been the last four-year average or something like that, which Heritage Canada may have calculated in bringing that number to the CTF in their contribution agreement.
But it's totally dependent on the type of programming, what audiences are interested in that year, and really, what broadcasters are looking for. Producers will develop projects that meet those criteria.