I find these conversations fascinating. I want the forward-looking view, and I think that's what you're giving us. You're telling us what's already out there, what's possible, and where the model is going.
I think we do spend an awful lot of time.... I say it every meeting, so I might as well get it out once again: I'm demanding, if I can get it, a review of the Broadcasting Act, because I think we really have to get things squared around not where they are or where they've been but where they're going. The monetization and the opportunities to earn money are so much greater today under the new model than they ever were under the old model, and I think that is something people struggle with.
When Jacob was here, he talked about the long term, and I think that's kind of what you're getting at, that the Internet opens up these opportunities. You're asking students, if they're not making a thousand bucks a month on YouTube, what they're doing, then.
Last night I was in kind of a foul mood. I went home and watched 1980s music on YouTube for three hours just to make myself feel better, but every artist that I watched received a royalty from YouTube. I don't know if people know that they're doing that stuff.
You've said a lot of glowing things about Canada, and I appreciate that, but ultimately what we want to do.... I've said several times that I really think it's about content. Content is going to be king. As for how we get it out there, there are so many platforms. We're still fascinated by radio stations and television stations, but ultimately there are just so many platforms.
I guess this isn't a legislative thing. You also talked about electronic and digital rights for artists. Right now, the reason artists lose that, I think, has to do with the way the Canada Media Fund is structured and that relationship.
Could you give us a piece of information about how we unshackle creators and unshackle artists and make it so that they can see the opportunity that's out there? How would you direct us to do that?