As I mentioned in my opening remarks, back in March 2009, the minister announced a replacement of the old Canada Television Fund and the old Canada New Media Fund, to create the new Canada Media Fund, and it was a merger of some of the moneys we had there. The federal government injects $134 million into that fund, but it's a partnership with broadcast distribution undertakings, cable and satellite companies. So we now have over $350 million being invested in digital content.
The first priority of the government at that time was to make sure the governance was right. The previous board of the Canadian Television Fund...the Auditor General had raised concerns about its ability to properly manage public moneys, because of potential for conflicts of interest. So we have now a smaller and more streamlined, independent board, but more importantly we almost nudged the industry along, because the fund is in two big broad pools of money. The convergent stream, unlike the old television fund, actually requires television producers, if they want to produce a television program, to also produce something on another platform. That's been very successful to get television producers to think of the multi-platform world.
Similarly, there's an experimental stream, and this one is wide open. It's very much an innovation stream. It's not just the producers who can apply for it, but even somebody who has a new application can apply to this stream. It's a competitive stream, and it's really for the best ideas. The thinking was that once you innovate in this realm with the experimental stream, great ideas will then become the next generation for the convergent stream. That's very much what is happening. It's relatively new; we will be evaluating it over the coming years, but the experimental stream is already oversubscribed by really, really good ideas. So it seems to be working out there.