Not entirely. We believe that FACTOR does a wonderful job at funding established artists, at picking fruit from the tree, shining them, bringing them to market. They know how to do that very well. The board is radio people looking for hits and the board is large music companies, and we believe in what they do and that it is a fundamentally important element of what they do.
However, the artist entrepreneur, which is something that is new since the creation of FACTOR, with the tools that are at his or her disposal, is severely neglected because there's not really a long-term strategy. As to how those four components are divided, we see collective initiatives and the music entrepreneur program as the final third. That's basically taking care of the entire orchard. It's about making sure that the ecosystem is there for export and so on.
We believe that one-third of it should be FACTOR. So I guess you would say new musical works would be divided into the other two bodies equally, for young arts entrepreneurs and for established artists and companies. Perhaps we don't see it as the same division of four. We believe a new structure would divide new musical works.
Am I right, Zack?