Yes, they grab their friends. It's actually very exciting what's happening now. I think for young producers and film makers and young talent—even for us going through the system for the first time—there are a lot of walls, there are a lot of barriers to entry. In the new digital age, what you do is just make it. On a kind of micro-budget you grab your friends, you write something fantastic and you can release it online. You can't do it for nothing, but these young people are figuring out a way to do it very cheaply.
It's unfortunate, because I think the system does appear to be a bit skewed to the very established. I find that a little bit frustrating. That's why I'd love some middle ground for creative talent, so that if they've made something fantastic, they can plead their case to Telefilm and say this is an offering I'd like to provide to the.... I think there's value there. There has to be a lot of diligence and proof, and you can't just go out with your hat in hand, and we certainly didn't. But yes, it's a little bit skewed to traditional, old model and it's a bit closed off to new players at any level.