Well, I think it's ideal to be locally responsive, to make these contexts dependent, depending on local needs. As I intended to illustrate, there are so many different models and different ways to do it, and that is quite preferable.
To the point of community hubs, cultural hubs, for me, one of the reasons it is interesting to keep culture in the name is to make sure that there are artists involved. I can think of an example.
Laboratoire transitoire, which we created.
For the call for proposals, we had a whole range of social entrepreneurs, but we wanted to make sure there was a sampling of artists there as well. We think that in all of this there should be artists, but it doesn't necessarily have to be only artists. It depends on local needs.
I'll just make one other point, and it gets at what you said about Copenhagen. You gave the example of Copenhagen. For those who don't know about it, there's an informal space, which is actually a large portion of the city that has become this venue where food trucks are inside and thousands of people are there on any given day. It's incredible, and it's totally unregulated, by the way. It's completely illegal.