I certainly can't speak to Liz Rose or any particular artist's or writer's royalties in particular. Certainly, when you have a hit song in 2018, the royalties are still substantial. The substantial royalties aren't really coming from the digital services, from what we've seen. We still have a very solid revenue on the traditional side, broadcasting and radio. That's where most of the money comes from. Mechanical and download is still there.
Even for the top-earning songs, it's not anywhere near where it use to be. I don't have statistics with me but it's certainly well laid out in Music Canada's report and the reports from the CMPA. The numbers on the digital side aren't anywhere near where they are currently from traditional platforms. It's not necessarily that we're concerned about it today, it's that we're concerned about where it's going.