As I've said, Anne with an E is a very good example of what people in my business are facing right now, because it's not working. That model is not working as it should. Copyright is broken in that way. I can give you very specific numbers about that. Netflix reported Anne with an E to be the fourth most binge-watched show on their network in 2017. That's a pretty large statistic. That means millions and millions of people from all over the world are watching and enjoying the show, and they're watching it fast. They're binge-watching it. That means they're downloading, downloading, downloading and watching it.
Yes, it's playing on CBC, and I do see some broadcast royalties from CBC, but that's the only place that it's playing terrestrially. Everywhere else in the world, it's on Netflix.
I can tell you that I've seen a staggering drop in the remuneration for that property; I would say it's close to 95%. If it were playing terrestrially in all those places, it would be a massive, massive difference. SOCAN, which is the advocate for someone like me, really has no way to get behind those closed doors of Netflix. Netflix will not give them the data they need in order for them to properly tabulate the views and turn them into a proper remuneration model.
Paul also has some experience with YouTube that he's going to talk about.