We're the conduit, in many cases, for the artists in Dorset. As I mentioned, our organization has a broad mandate. We don't just manage copyright. This is a very small part of what we do. We are promoters; we are marketers; we are travel companions when artists are travelling internationally.
It's very remote, and the gap in understanding is immense. Not one of our artists, since the birth of Inuit art in Cape Dorset, has ever been traditionally trained. This is all mentorship through the community, intergenerational information exchange. As I mentioned, there are artists who have never travelled outside of the territory. We have a relationship with the Brooklyn Museum. You can imagine what kind of culture shock it is when I spend two weeks with an artist who has never been farther south than Ottawa.