I'm smiling because when we took the decision to reduce and simplify the grant application process, we had all of the young people, people from the north, people who were not really well advantaged by the system, applauding, and we had big organizations that were very frustrated because they could not explain at length what they wanted to do.
To be very concrete, we reduced the number of words. We asked for explanations. We also worked with juries that are aware of the context and know the artists. They can just judge on what is written on the paper, but they know the track records of the artists. Again, I'm not saying that everything is perfect, because I think we have more and more work to do to reach out to people and explain the Canada Council.
Again, this is work that we have not been doing for 20 years because there was no new money and there was no interest in having newcomers in the system.
It's exactly the reverse right now. The reverse right now is our priority is to make sure that we remove all the barriers. We did that. For instance, we published what has been the most visited section of the website of the Canada Council ever. We published a communique saying that we are removing all the barriers that are related to the formal number of years of artistic practice and all of that, because we saw that this was disadvantaging people from some regions in Canada and was also preventing refugees and immigrants from applying to the Canada Council. We removed those barriers, and we are moving from a culture in which we felt we were under siege and were gatekeepers to a situation that we think is about outreach, meeting people and inviting them to apply, and we have the money to respond.
I think that it will change the arts system for the better.