Three years ago we did a kind of survey. We tried to see what was happening worldwide with the arts sector. What happened in fact with digital is that the disruption really happened in the cultural industries, in the music industry first and then in film, with digital screens and all that. The disruption was not so much with the arts sector, especially the performing arts, but it is disruptive in the sense that the cultural habits and the way people relate to any content is profoundly changing with digital.
Our fund is to help the sector find ways of coping with that and using the possibilities. We decided that we would create a fund, and that the fund would support initiatives whereby people would partner. It's interesting, because the fund is present everywhere in Canada.
It started, very surprisingly, in the far north, because people were ready to take it. Right now there are probably 250 projects across Canada. There are a lot of collaborations on big data, on access, on ways to be more visible on the web. This is the kind of work we do.
Recently we opened a component to help organizations that wanted to understand where they are from a digital standpoint, and it has been a huge success. A lot is invested right now, and frankly, the Canada Council's fund is one of the most important ones for the arts sector worldwide.
We wanted to do that, and because we are also responsible for supporting the writers of this country and all of that, we really wanted to make sure that we would address that and also protect our investment. The digital fund will be $30 million next year. It's roughly 9% of everything we invest, but we think that by investing there, we will protect the other 90% of our investment, and if we don't do it, all of that will be at risk.