We know about your experience. You worked for a long time in the Department of Canadian Heritage and you helped to consolidate the efforts that have been made on the quota system over about the last 45 years. The word “quota” sometimes seems taboo, but it is what has allowed Quebec culture and Canadian culture to become distinct and find their place. They have reached maturity. We see that with shows like Orphan Black or people like Xavier Dolan. The studios are full. Production studios often are doing sub-productions for the United States, but it is still our expertise, and that is important.
However, we have the impression that you are constantly avoiding the matter of the Canada's Broadcasting Act and the Television Broadcasting Regulations1987. That is the elephant in the room and it is getting bigger each year, like the screens in the middle of this room. It is never talked about, and yet all the witnesses that we have seen here have told us how much online competition is attacking their business plans.
Let’s take your recent decision on the new broadcasting distribution undertakings, the BDUs. You told them to try to put local news on their online platforms. You said that in a community context. Your presentation reassures us in terms of our communities, but I can tell you that it does not reassure people in community television because they are clearly going to lose a source of funding.
Other decisions are pushing people to the Web. The non-intervention in the face of the major online players who are providing services through the back door means that our BDUs are going towards the new platforms.
As for television, you have added flexibility of access to smaller television packages, which also pushes viewers to the Web. That concerns me. Everyone in the production world is scratching their heads and wondering what is coming. If their production funding is fed by contributions from a part of the monthly payments for television distribution, it is going to keep decreasing.