I could speak for newspapers and some TV production.
In newspapers, there's the Canada periodical fund for periodicals. It is what it is: $75 million. As I mentioned, this is the contribution for community newspapers and magazine publishers.
In the audiovisual area, you have a fairly elaborate public policy tool kit, which includes tax credits based on labour expenses for independent producers. You have the Canada Media Fund, which is a public-private partnership. Lawyers perhaps would correct me, because it's not per se with a partner, but it is a public-private partnership. There's Telefilm Canada, which invests just about $100 million in the production of feature films in this country. There's the National Film Board, which supports in-house production. There's the CBC, which sponsors or licenses Canadian programming. And there is a slate of licence conditions that the CRTC puts on various players in the broadcasting sector, from quotas to spending amounts and requirements in Canadian programming.
When you add all this up, it's a lot of money, but it is for the production of Canadian content, and there have been many successes with many of those programs, not only in Canada but in the rest of the world. If you want to watch the next Oscars ceremony, you'll see that two Canadian co-productions are in the running for best picture. So I would say we've come a long way.
I don't know, Helen, whether you want to add anything else.