Ms. Ien, as I mentioned a little earlier, the concern we have is that even when the majority of key creative positions are held by Canadians on shows that we produce, there's also another element: That's the element of financing and ownership, which can preclude a production from being certified as Canadian even if, as I said, 10 out of 10, or eight out of 10, or six out of 10 key creative positions are held by Canadians.
I understand that others may have raised concerns about the point system. For us, we think the question of certification criteria needs a bit more of a holistic revision. That's what we were happy to see in the documents that Heritage circulated at the time the bill was tabled, saying that these could potentially be part of a policy directive to the CRTC.