I really wanted to point out that services such as YouTube already identify professional cultural content. It isn't an issue for these services, at least in terms of music. In order to pay the rights holders that I represent, these services must collect metadata. They have a very sophisticated copyright and content management system. It isn't difficult to distinguish between amateur content and professional music, and they know this. That's why I thought that Mr. Ripley's comments weren't accurate. It was perhaps the result of a lack of knowledge regarding the technical operation of platforms.
In any case, an act shouldn't focus only on technical matters. The act will be around for 30 years. You must set objectives and broaden the scope of the act. You must then give the CRTC the tools needed to study the act and to see how technology and situations change so that it can react and make adjustments and so that our culture can continue to reach its audience. This is the key component of the Broadcasting Act.