Good afternoon, Madam Chair and members of the committee.
I am Carol Ann Pilon, executive director of the Alliance des producteurs francophones du Canada, or APFC.
APFC is a professional association that represents the francophone production companies of the official language minority communities, the OLMCs. In the past 25 years, we have worked hard to promote the exceptional audiovisual content produced by our members and to defend its cultural, economic, identity and linguistic value to the country as a whole.
Our members come from all across Canada, from Yukon to Nova Scotia, including New Brunswick, Ontario, Manitoba, Alberta and British Columbia.
Through their activities, our members and their associates contribute to the economic vitality, cultural life and continued existence of the communities from which they come and ensure that a diverse range of francophone voices are heard across Canada. They produce captivating, original stories for television, films and digital media. Those stories are a reflection of the unique places from which they come, and they enrich the diverse range of Canadian audiovisual offerings. The francophone production of the OLMCs represents 7% of total independent French-language production in Canada. Approximately 40% of programs produced in the Canadian francophonie are broadcast by Radio-Canada.
The role of our national public broadcaster is fundamentally important for our sector and equally so in guaranteeing the development and vitality of the Canadian francophonie. This is even truer in the digital era, in which we now have increasing numbers of broadcast sources, but where regional stories are increasingly rare on screen. The francophone OLMCs, and young people in particular, need to see themselves reflected in these programs and films. For that to happen, they must have access to an ample and diversified range of Canadian programming that is representative of all francophone communities in Canada.
Radio-Canada has specific responsibilities in this area, as set forth in the Broadcasting Act and Official Languages Act. These two statutes, which were updated in 2023, also provide greater recognition of independent francophone production and the OLMCs.
Radio-Canada plays a leading role by enabling our producers to occupy their rightful place in the Canadian broadcasting system and to make the original content they produce more accessible.
Our national public broadcaster fosters the development of Canadian talent and creates opportunities for diversifying the way the regions and genders are represented in independent production. It is essential that Canadian citizens be offered varied programming in the current context in which the audiovisual landscape is increasingly being standardized.
Thanks to Radio-Canada, independent francophone production companies outside Quebec have produced major dramatic series. I'm thinking of the serie Le monde de Gabrielle Roy in Manitoba, Mont-Rouge in New Brunswick and Eaux turbulentes in Ontario. By supporting these fictional productions on a broader scale, Radio-Canada has managed to do three things: it has enabled the professionals and creators in our communities to exploit their talents; helped put the regions outside the major centres on screen and ensured that local stories concerning the entire country are told; and put French Canadian content in prime programming position.
Radio-Canada is a unique and essential voice in the media landscape. In many instances, its regional stations are often the only ones providing local French-language programming. Francophones living in Moncton, Toronto, Winnipeg, Victoria and Whitehorse seek, from those stations, what the major private broadcasting groups can't offer them: specific French-language programming that directly targets them. Radio-Canada is also the only broadcaster that provides a platform for a critical mass of francophones and francophiles both in Quebec and across the country.
In conclusion, I would add that APFC agrees that the Crown corporation's mandate is robust. In a constantly changing ecosystem, its obligations are many and can create considerable pressure. The public funding that supports the national broadcaster is substantial but also commensurate with its obligations. Radio-Canada is a fundamentally important institution for democracy.